ÉROS IV (2019) Painting by Yaël Moon
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Original Artwork
Painting,
Acrylic
- Dimensions Height 43.3in, Width 31.5in
- Categories Paintings under $5,000 Figurative
Existe-t-il un chemin du fantasme et du plaisir ?
Où vous mènera-t-il ?
De l’abondance des répétions techniques,
encore, encore et encore…
De l’ajout de couleurs, de la peinture des corps aux limites dissolues, des matières qui les parcourent.
Cette fois les matières, la découpe, la révélation au scalpel intègre la chair du couple…
Ils ne sont plus qu’un seul corps, noyé dans une orgie de couleurs et de matières.
Un chemin de pétales guide le plaisir érotique .
Les miroirs comme votre clef vers votre désir.
Les miroirs, pour vous projeter à l’intérieur de VOTRE chaos érotique.
Les miroirs, comme un vide, autour duquel l’esprit et le corps entretiennent leur lien.
Dans cette œuvre il y a la sensation d’être allée trop loin, d’avoir poussé la répétitions à son paroxysme.
Ce fût un long et lent aboutissement, EROS IV a étourdi mon sens artistique, pour aller au-delà de l’érotisme.
Á l’image du chaos universel, EROS IV cache le sens profond du chaos.
Ce sens c’est ?
LA VIE.
Peinture acrylique sur morceaux de pagnes collés sur bois, dentelles, pétales en nylon, miroirs brodés, paillettes.
vernis
Related themes
At 18, driven by the need to travel and the desire for independence, Yaël continued her studies in the Merchant Navy.
The closed environment awakens his practice of drawing; the maritime landscape, his taste for observation.
She changed course and made her way into artistic practice and art therapy.
Yaël leaves with her family for Gabon, meets a team of psychologists who offer her the opportunity to put her knowledge in Art therapy into practice.
A storytelling-therapeutic workshop is set up and is complemented by individual artistic mediation sessions for children with specific needs.
Yaël discovered Côte d'Ivoire in 2013. She then decided on her unconditional and professional artistic commitment.
Artist, woman, western. Yaël lived in the cradle of humanity for 8 years. She looks at the traces of the colonial past, of France Africa.
Côte d'Ivoire seems to him to be plundered by an icy system where money is only the engine of all decisions.
She asks forgiveness for all these past, present and future crimes. It's like "an official restitution" of works for her, her duty as an artist begins there.
She wants to wash humanity, repair wounds, make them less painful.
Today, having returned to France for a few months, she chooses the Clitoris as a symbol of evolution, to repair mutilated and abused bodies and hearts.
The Clitoris is the female organ, dedicated solely to pleasure. He too is in the shadows.
Nature has so decided. With clitoral artistic creations, abused women (and men) could find a voice in that of her Art.
A way towards the recognition of their suffering and, by sublimation, of their being.
We are desiring and desired beings.
The abused could find their way there without being drowned in the whirlwind of ephemeral and superficial media revelations.
We cut what exceeds to "look pretty" and enter the norm. For "well-thinking".
She wishes to put this creation of unlimited Clitoris at the service of Equality.
So that the message takes on its full meaning.
Do not take power but open up to the freedom to be, to choose one's place in society.
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Nationality:
FRANCE
- Date of birth : 1979
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
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