Cassette 3 (2014) Printmaking by Vukašin Delević

Printmaking on Paper, 5.3x6.1 in
$301.06
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This artwork appears in 4 collections
The works from the Cassette series are naturally connected with the period of the nineties, but also with my childhood. I was born in the early nineties at the time of the expansion of music tapes. Apart from listening to music, they were an extremely interesting toy for me, specific because of the circles, sprockets, texture, and long strip that could[...]
The works from the Cassette series are naturally connected with the period of the nineties, but also with my childhood. I was born in the early nineties at the time of the expansion of music tapes. Apart from listening to music, they were an extremely interesting toy for me, specific because of the circles, sprockets, texture, and long strip that could be spread all over the yard. Later, those two circles on the tape reminded me of the sun and the moon. Those two oppositions are joined by the tape and thus created their conjunction. All cassettes have this conjunction and yet they differ in many ways. They have individuality, and yet they are still cassettes.

"Cassettes contain a rectangular base and circles joined by tape, which brings together the inner and outer in the reality of time. Rectangular base, circles, and tape are conjunction of opposites, which is "coniunctio opposition" expressed by an image in which luna (first circle) and sol (second circle) are joined together. The tapes are diverse and distinguished by their individuality in shaping the motives, without differing in content. The author presents the basic foundation of the process of individualization of an individual and reaching self-realization, transcending the tapes until the point of liberation - realization.
The human being is merely something unfinished, something which is yet to be (the process of becoming): existence and not a being for itself. The rectangles and circles are complete and actual beings, for us. Luna and sol joined together are imaginative and sensual to the observer."

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CassetteTapeMusicBlack And White

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Vukašin Delević (1993.) devoted himself in his early years to the study and practice of various kinds of art, only to later concentrate on research in the field of visual arts. He graduated[...]

Vukašin Delević (1993.) devoted himself in his early years to the study and practice of various kinds of art, only to later concentrate on research in the field of visual arts. He graduated from the Faculty of Applied Arts in Belgrade, Department of Photography, but he also spent part of his education at the Academy of Fine Arts and Design in Bratislava. 

In his visual expression, he chooses an experimental approach, so he does not stick to conventional photography, but brings it closer to drawing and painting through multiple expositions and digital production. Later, he continues to express his ideas through various contemporary media. 

He has exhibited in galleries and cultural institutions across his country as well as at international art events. The first invitation to present his works abroad was in 2017 with "The Biennial Project" (from the USA), which organized the presentation of young talents at the Venice Biennale. Afterwards, he continues with collective and solo exhibitions in which he strives to push the boundaries of his perception, creation, and consciousness and contributes to the innovation of contemporary art content. 

On his development path, he records unique scenes from life imbued with multi-layered meanings, and thus different interpretations, to gradually enter the inner world of humans. In a thorough and experimental approach to photography, he creates a series of monochrome photographs that unite into a whole called Time after almost a decade. The "Time" project met with positive reviews from the Serbian art scene and experts in the field of photography, so in 2021, six independent exhibitions were organized.

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