"Corpus:fatiche" (2019) Drawing by Valeria Luccioni

Sold by Valeria Luccioni

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork is framed
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Drawing, Charcoal / Pencil on Paper
  • Dimensions Height 7.9in, Width 5.9in
  • Framing This artwork is framed (Frame + Under Acrylic Glass)
  • Categories Drawings under $500 Figurative
About this artwork: Classification, Techniques & Styles Charcoal Drawing made with a branch of Willow or charcoal of charred Europe. It enables to obtain[...]
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She was born in Rome,on 1978. After getting the Secondary School Diploma in Classical Studies, she followed the Ancient Pictures Restoration Course at the S.Giacomo School in Rome and she enroled at Academy[...]

She was born in Rome,on 1978.

After getting the Secondary School Diploma in Classical Studies, she followed the Ancient Pictures Restoration Course at the S.Giacomo School in Rome and she enroled at Academy of Fine Arts in Rome.

After getting a grant at the "Ecole des arts décoratifs de Paris", she graduated (Painting) with full marks discussing an Artistic Anatomy thesis titled:"The proportional canons of human figure in connection with the evolution of western philosophic thought".

After getting a second grant at "Escola Massana de Barcelona", she specialized (Visual Arts and Performing Disciplines) with full marks discussing an Artistic Anatomy thesis titled:" The gesture in the body".

She improved her technique and  knowledge attending a workshop with the Spanish painter Pedro Cano in Florence and an Engraving Course at Kaus Institute in Urbino. 

Afterwards she attended the Aesthetics and Plastic Art History Master at "Université Paris 8" of Paris with the research titled:"The body as an originary opening,the meaning of nakedness,from the figure to the sign,that is to the bare graphic ".

She writes art books and essays in different languages.

The series conception is for her strictly connected to progression,implicating a relation between reiteration and movement,that is time and space.

She privileges the series because she can go deep into her research through the imaginary world created a priori by the title and by the matter chosen for the investigation.

Besides that,by means of the series she can underline the implicit and essential connection between Image and Language,being an articulated structure whose every element can be considered a declension.

The element in common to all the series is the philosophical concept of "corpus" to underline the connection between Art and Philosophy.

 

 

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Pencil on Paper | 7.9x5.9 in
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