Trapped Below (2019) Painting by Tim Malone

Not For Sale

Seller Tim Malone

Fine art paper, 12x8 in

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1500 px
Dimensions of the file (px) 1000x1500
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Use on multi-support Yes
Use on any type of media Yes
Right of reselling No
Max number of prints 0 (Zero)
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
This artwork appears in 4 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic on Paper
  • Dimensions 31.5x22.8 in
    Dimensions of the work alone, without framing: Height 26in, Width 17.7in
  • Framing This artwork is framed (Frame + Under Acrylic Glass)
  • Categories Paintings under $1,000 Abstract Industry
This piece is part of a series of abstract paintings exploring the gold mining industry in South Africa, where I spend over 30 years of my life. Sadly, in South Africa, mining accidents are a regular occurrence and the death of a miner can be devastating as many people may depend on his income for survival.
This piece is part of a series of abstract paintings exploring the gold mining industry in South Africa, where I spend over 30 years of my life. Sadly, in South Africa, mining accidents are a regular occurrence and the death of a miner can be devastating as many people may depend on his income for survival.

Related themes

MineMiningAccidentRedDanger

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Tim Malone studied Fine Art in South Africa and subsequently worked as an award-winning advertising art and creative director for almost 40 years. Now that experience defines his artistic process. His approach[...]

Tim Malone studied Fine Art in South Africa and subsequently worked as an award-winning advertising art and creative director for almost 40 years. Now that experience defines his artistic process. His approach to painting reflects the process in which layouts for print advertising are developed; any addition, deletion or amendment made to any part of the work impacts every other part. This means that solving one design problem often creates others, until a balanced result is finally achieved.

While Tim’s work is sometimes non-objective, it is always influenced by the social complexities, colours, shapes and textures of the places he’s lived and worked – South Africa, Saudi Arabia, England and Portugal.

Tim works in acrylic on canvas, paper and board, creating details using a variety of other media. Much of his work is  preference being hot-pressed watercolour paper, which is slightly absorbent, but allows the paint to be moved over the surface with relative ease.

See more from Tim Malone

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