Old Stones Protected (2019) Photography by Steevens Hill

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  984 px  

1500 px
Dimensions of the file (px) 984x1500
Use worldwide Yes
Use on multi-support Yes
Use on any type of media Yes
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Art image bank
Certificate of Authenticity included
This artwork appears in 2 collections
  • Original Artwork Photography, Other
  • Dimensions Height 27.1in, Width 41.3in
  • Categories Abstract
Digital photography. "Old Stones Protected" (No. 1/5) is part of the Collection entitled "Anchoring to nature". My artistic approach to matter, the visible and the invisible, includes "naturally" history and memory. The integration of human buildings throughout the[...]
Digital photography.


"Old Stones Protected" (No. 1/5) is part of the Collection entitled "Anchoring to nature".

My artistic approach to matter, the visible and the invisible, includes "naturally" history and memory.


The integration of human buildings throughout the ages perpetuates the transmission of energy, messages, and acceptance by nature itself of human constructions.


This fusion of several materials, organic and inorganic, brings us light, light on our place, our communion with the environment. We then talk about behaviour, and the path to take in respect of life!


Every moment of my work is authentic, it spontaneously emerges during a moment of evidence, outside, inside. With organic or not, during a walk, and in moments of creations inspired by strong emotions.


It is a journey from which we know neither the journey, the time nor the destination, but our deep and unconscious nature is only waiting to emerge.


Together, let us be open and observant, everything in the visible and invisible is real!



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*Original work limited to 5 copies, signed and accompanied by its certificate of authenticity.


On request only, it is possible to request variants on dimensions and support for customization purposes (single - up to 5 copies)


Length: 105 cm
Width: 68.9 cm
Thickness: 4 cm


Metal Printing In Us Crates - Matt Rendering

Fine Art" art print - Matt aspect on 100% cotton paper 308 g. (Hahnemühle Photo Rag 308g)


Paper very slightly textured, bright, velvety


Very fine and soft surface allowing to obtain intense colours and deep blacks with an excellent resistance to ageing.


Laminating "Fine Art" art printing on a rigid aluminium support, before framing it, in order to guarantee an exceptional lifetime for printing on aluminium.


Rotating edge from 4 to 6 mm


Rear hitch:
Small formats: 1 hook
Medium formats: 1 steel wire on the rear part
Large formats: 2 hooks


---- French Version ----


Photographie numérique.


"Old Stones Protected" (N° 1/5) fait partie de la Collection intitulée "Anchoring to nature".

Ma démarche artistique sur la matière, du visible et de l'invisible comprend "naturellement" l'histoire, la mémoire.


L'intégration des édifices humains au travers des âges, perpétue la transmission de l'énergie, des messages, et de l'acceptation par la nature elle-même des constructions de l'homme.


Cette fusion de plusieurs matières, organiques et inorganiques nous apportent l’éclaircissement, la lumière sur notre place, notre communion avec l'environnement. Nous parlons alors de comportement, et du chemin à prendre dans le respect de la vie !

Chaque instant de mon travail est authentique, il surgit spontanément lors un moment d'évidence, en extérieur, en intérieur. Avec de l'organique ou non, lors d'une balade, et dans des instants de créations inspirés d'émotions fortes.

C'est un voyage dont on ne connaît ni le trajet, la durée et la destination, mais notre nature profonde et inconsciente ne demande qu'à émerger.

Ensemble, soyons ouvert et observateur, toute chose dans le visible et l'invisible sont bien réel !

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*Oeuvre originale limitée à 5 exemplaires, signée et accompagnée de son certificat d'authenticité.

Sur demande uniquement, il est possible de demander des variantes sur les dimensions et le support dans un but de personnalisation (unique - dans la limite des 5 ex)

Longueur : 105 cm
Largeur : 68,9 cm
Épaisseur : 4 cm
Impression Métal En Caisse Us - Rendu Mat

Impression d’art « Fine Art » – Aspect mat sur papier 100 % coton 308 g. (Hahnemühle Photo Rag 308g)

Papier très légèrement texturé, lumineux, rendu velouté
Surface superficielle très fine et douce permettant d’obtenir des couleurs intenses et des noirs profonds avec une excellente résistance au vieillissement.

Contre collage impression d’art « Fine Art » sur un support aluminium rigide, avant de procéder à son encadrement, afin de garantir une durée de vie exceptionnelle à l’impression sur aluminium.

Bord tournant de 4 à 6 mm

Accroche arrière:
Petits formats: 1 crochet
Formats moyens: 1 fil en acier sur la partie arrière
Grands formats: 2 crochets

Related themes

Vieilles PierresRuinesVegetationOld StonesFusion

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Hello, I recommend that you consult my artist statement and my complete biography on my website:. ww.steevenshill.art. Brief biography. Steevens Hill was born in 1971...then the adventure[...]

Hello, I recommend that you consult my artist statement and my complete biography on my website:.

ww.steevenshill.art.

Brief biography.


Steevens Hill was born in 1971...then the adventure continues....
As a child, I was already intrigued by my environment, but especially by the questioning of our physical existence, our place on earth. It can be said that his relationship with nature, with matter in all its forms, fascinates him.

 .
To find with one's neighbour one's place, in all situations of life, with this awareness of "being"... Images, dreams, drawings, photos, already a feeling of need, to create to give meaning to this awareness, and to make it live at all costs through small experiences, the desire to learn and to multiply opportunities...

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In these words, the thoughts, the images, the "photosensitivity" of his person, revealed his place and his ability to feel things around him, the mineral, the vegetable, the animal, the invisible. The fact of capturing the present moment, and expressing it, the mental vision of these moments and desires have intrinsically revealed this attraction to photography...

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A life in the tertiary sector, then in sport, did not overwhelm the sleeping artist. This "coming-out", the one-way ticket with no return, is nowadays unequivocal..

He therefore takes advantage of this professional triptych of author-writer to rely on the status of author-photographer to reveal himself.

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His first wishes are first of all to "set up", to announce his first choices, clichés, collections responding to different themes of "abstract reality", "the invisible", phantasmagorical, "lyrical", "abstract expressionism" in this contemporary world...

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Today, it goes to the essential, there is no longer any conditioned reflection. He must bring out repressed feelings, joys, fears, love, questions in his work. He has always been "him", but today, without restraint.

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As a gift, seeing the other's gaze welcoming you is the most beautiful thing there is... We all have our audience, He intends to give as many people as possible another look at our existence, our environment, and that everything in the visible and the invisible is very real...

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It is enough to see, to be in the resonance of a photo, a sculpture, a painting. The artist's message and her inner questioning ! it is a rebirth that gives me more inspiration to communicate to everyone about our presence, in the depths of our being.

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To feel this inseparable whole from matter, images, thought, and to knock at the door of our unconscious, to finally reach universal consciousness...

.
Steeven Hill

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