Echinacea (Cone Flowers) (2017) Painting by Chris Derrick

  • Original Artwork Painting, Pastel on Paper
  • Dimensions Height 13in, Width 9in
  • Categories Paintings under $500 Impressionism
NOW SOLD. Soft pastel on Clairfontaine PastelMat card, measuring 13x9 inches (32x24 cm approx). Unframed. This group of flowers was part of a huge mass growing in a country park. Sadly I was unable to stay for long and had to be content with taking notes and a lot of photographs. Later, at home, I used soft pastels to try and capture the bright[...]
NOW SOLD. Soft pastel on Clairfontaine PastelMat card, measuring 13x9 inches (32x24 cm approx). Unframed.
This group of flowers was part of a huge mass growing in a country park. Sadly I was unable to stay for long and had to be content with taking notes and a lot of photographs. Later, at home, I used soft pastels to try and capture the bright pinky-mauve colours and the characteristic cone-shaped centres of each flower.

Please note this painting is sent FROM England, United Kingdom. Shipping prices include a little for packaging.
Dispatch to addresses within the UK is by Royal Mail next-day guaranteed service.
Overseas: by International Track and Signed.
Please see notes re packaging; this work will be dispatched flat, not rolled.

Related themes

FlowersPinkMauveSoft Pastel

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I am a self-taught painter, working mainly with soft pastels and oils. Having started painting at evening classes over forty years ago, I have maintained my interest and enjoy working on a variety of subjects.[...]

I am a self-taught painter, working mainly with soft pastels and oils. Having started painting at evening classes over forty years ago, I have maintained my interest and enjoy working on a variety of subjects. This keeps my mind active and prevents boredom. My pictures tend to be representational when working at a smaller scale. I am happy to paint still life, flowers and landscape, with a special fondness for scenes with water, clouds and strong light contrasts.
My favourite places are coasts, moorland and riverbanks, where I can watch the movements of wildlife, water and sky.
In 2020 I laid aside my normal realistic approach and did a complete U-turn, choosing to experiment with abstract patterns. The following year I brought the abstract work to a close and returned to my usual subjects; as 2022 begins I am working on pastels again and, surprisingly, discovering a fresh outlet for my semi-retired acrylic paints. I also now paint while listening to music (wearing headphones), which helps me to stop over-analysing my work whilst I paint; the left side of the brain is occupied with the music whilst the right side gets on with the artwork.


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