"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1000 px | ||
|
1500 px |
| Dimensions of the file (px) | 1000x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
Après une enfance et adolescence marquées par l’Afrique du Nord et l’Afrique, une vie professionnelle pour une grande partie dans la lumière du Var puis une installation en pays du Quercy dans les années 2009.
Toujours intéressée par les arts plastiques et essentiellement la peinture, j'ai commencé à peindre "sérieusement" après la retraite.
peintres préférés : Gauguin, Van Gogh, le Douanier Rousseau, Matisse, Macke et aussi certains artistes de Street art dont YZ...
Le choix de l'aquarelle, à la fois pour sa transparence, sa luminosité, son "immédiateté"...
Autodidacte, participation pendant deux ans à l'atelier dessin et peinture de ma communauté de communes.
Depuis début 2018, participation à des salons, ainsi que des expositions en solo, pour montrer son travail, sortir de son atelier et rencontrer le public.
Je privilégie le travail sur les couleurs car elles elles touchent directement aux émotions. D’ailleurs, l’Art est affaire d’émotions, au-delà de la technique…
Mon élan créatif est lié à la nature, la mer, le soleil… les rencontres… et aux envies que cela déclenche de me mettre aux pinceaux. »
Autodidacte... l'âge de la liberté est là... Donc, il est facile de répondre à l'urgence de peindre...
Le langage de la peinture est universel. Les pinceaux remplacent les mots... là, pas de problèmes d'interprétation, ni d'exégèse, ni de traduction, le tableau vous touche ou non.... certes, l'on peut toujours analyser les raisons de l'émotion mais ce qui compte, c'est que l'émotion soit là...
Picasso disait "je ne peins pas ce que je vois, je peins ce que je pense....."
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Nationality:
FRANCE
- Date of birth : 1953
- Artistic domains: Works by artists with a certified artist value, Works by professional artists,
- Groups: Certified Artists Professional Artist Contemporary French Artists
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