Masque : dualité (2015) Sculpture by François Thomas

Not For Sale

Seller François Thomas

Certificate of Authenticity included
This artwork appears in 1 collections
  • Original Artwork Sculpture, Mixed Media
  • Dimensions Height 19.7in, Width 13.8in / 1.00 kg
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $1,000 Figurative
Masque réalisé pour une exposition de cette année 2016 (thème : Masque et transparence) à la Biennale de Marcigny, Saône et Loire. Matériau: béton cellulaire et bandes de plastique (ce qui est utilisé pour les emballage en carton pour ne pas qu'ils puissent être ouverts...). Cette exposition dure jusqu'au 20 août 2016, donc ce[...]
Masque réalisé pour une exposition de cette année 2016 (thème : Masque et transparence) à la Biennale de Marcigny, Saône et Loire.
Matériau: béton cellulaire et bandes de plastique (ce qui est utilisé pour les emballage en carton pour ne pas qu'ils puissent être ouverts...).
Cette exposition dure jusqu'au 20 août 2016, donc ce travail devra rester sur place jusqu'à ce moment-là...
Autre remarque: la vue de détail est l'arrière ou l'avant selon votre humeur: gaie d'un côté et de mauvaise humeur (le mauvais pied au matin) de l'autre côté.

Related themes

Francois ThomasSculptureSculpteurBéton CellulaireFiguratif

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I was born one day of July 1955. By looking at behind, I realized that I always want to create. After studies out of FAC, I had last the C.A.P. of plasterer to rub me with the matter. At the beginning of[...]

I was born one day of July 1955. By looking at behind, I realized that I always want to create. After studies out of FAC, I had last the C.A.P. of plasterer to rub me with the matter. At the beginning of the Eighties, I put myself at the photograph (taken of sight, development and pulling). In the middle of the Eighties, following a writting workshop, Ii caught the virus of the words and I writes several novels ("pink paper ", inter alia, in the course of publication on ) till 2 years ago. In 1998, I started in parallel to carve wood. But, in 2002, my words were put at evil and I very rocked towards the sculpture. At the beginning, as wood that I worked was wood of my garden, I was very respectful and sought the dialogue with wood: it was it which guided me! Since, I had taken again urgence which existed in my writing and l transposed it on wood! Now, this wood, always so noble, must serve my vision! Apart from the wood of the garden, I use means of the edge: drink recovery of worn pieces of furniture, plastic, glass, plaster, stone of the garden, painting of do-it-yourself, felts... Obviously, from the techniques and materials that I use, I assert myself more and more as plastics technician rather than as sculptor! I am an autodidact and I assert it! Recently, - June 2003 -, I seek to share my vision of the world with the Other through my creations. And as it is necessary well to speak owing to the fact that we are a couple (my wife "painted"), and this since very, very a long time, I can say that we work each one on our side, in a different step, but it exists a healthy emulation between us two: with each time one of us two finished a creation, the other is its first critic. And I suppose there is there points of convergence between our two worlds!
François THOMAS 23/01/2004

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