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huile: Vieux Port, église Saint-Ferréol (2011) Painting by Jacques Peyrelevade
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Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Oil
on Linen Canvas
- Dimensions Height 13in, Width 18.1in
- Artwork's condition The artwork is in very good condition
- Framing This artwork is not framed
- Categories Paintings under $1,000 Expressionism Architecture
Plusieurs mouvements érémitiques se réclamant de Saint-Augustin existaient. Le pape Innocent IV souhaitait les regrouper, et c’est le pape Alexandre IV qui, dans sa bulle « Licet Ecclesia » du 9 avril 1256, réunit en une congrégation unique les ermites de Saint-Augustin1.
À peine deux ans après le début officiel de leur ordre, les Augustins décident de s’installer à Marseille, en haut de la Rue d’Aubagne, près de la rue Fongate. Grâce à l’aide du roi Robert Ier de Naples, comte de Provence, les religieux parviennent à s’installer. Cependant, en 1361, ils doivent abandonner leur quartier, qui est rasé pour éviter de servir de base logistique aux bandes armées. Ils se réfugient alors à l’intérieur des remparts de la villearsenal,.
La construction du couvent et de l’église:
Le terrain choisi pour l’église est situé au fond du Vieux-Port, à proximité du plan Fourmiguier, une zone occupée par les chantiers de construction navale et l’arsenal des galères.
La construction de l’église est délicate, car elle repose sur des terrains alluvionnaires et des remblais instables de l’ancienne corne du port, visible aujourd’hui dans le Jardin des Vestiges.
Les travaux commencent très lentement en 1447. Les Augustins utilisent le bois d’une galère hors d’usage cédée par Jean de Villages, neveu de Jacques Cœur, pour réaliser la charpente1.
L’église est confiée par l’archevêque de Marseille à la Compagnie de Jésus (les jésuites) depuis septembre 2017.
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Jacques Peyrelevade is a contemporary French expressionist painter known for his expertise in oil, pastel, ink, and charcoal. His artistic canvas spans the vibrant landscapes of Marseille, the Mediterranean, Provence, and the East. Yet, in his creations, the ground serves merely as a backdrop, a support for the interplay of color and light, akin to a symphony of visual music. The palette knife emerges as his chosen technical instrument, orchestrating the dance of vivid hues across his canvases.
Born in Marseille, Peyrelevade's upbringing carried the echoes of his familial roots, hailing from a lineage of farmers in Corrèze and Dordogne. At the tender age of ten, he found himself among the last visitors to the prehistoric marvel of Lascaux, where he experienced his inaugural artistic epiphany, setting him on a path toward painting. It wasn't until retirement beckoned that Peyrelevade could wholly devote himself to his passion for art.
During his formative years, the young Peyrelevade found himself mesmerized by the luminosity emanating from Van Gogh's room at the Musée d'Orsay. Later, he delved into the extensive correspondence between Vincent and Theo, extracting invaluable insights into the nuances of color and line. While acknowledging the influence of esteemed artists such as Claude Monet and Nicolas de Staël, Peyrelevade attributes much of his artistic ethos to the Provençal school. Exhibitions featuring luminaries like Monticelli, Jean-Baptiste Olive, Marquet, Camoin, Verdilhan, Seyssaud, Ambrogiani, and Toncini left an indelible mark on his artistic sensibilities, shaping his distinctive expressionist style.
With each stroke of his brush, Jacques Peyrelevade breathes life into his canvases, capturing the essence of the world around him in a mesmerizing symphony of color and light, perpetuating the legacy of his artistic lineage while carving out a unique narrative of his own.
- Nationality: FRANCE
- Date of birth : 1946
- Artistic domains: Works by artists with a certified artist value,
- Groups: Certified Artists Contemporary French Artists