Fragmentos recobrados 4: Look, listen and shut up Drawing by Úrsula San Cristóbal

  • Original Artwork Drawing, Other on Paper
  • Dimensions Height 11.7in, Width 16.5in
  • Categories Calligraphy
As a performance artist, I am concerned about the documentation of the creative process behind each of my pieces and I have found in calligraphy the best way to do so, because is a practice closely related to my personal and academic background. Loosely inspired by Futurist paroliberismo (words-in-freedom) this kind of pieces are a kind of brainstorming[...]
As a performance artist, I am concerned about the documentation of the creative process behind each of my pieces and I have found in calligraphy the best way to do so, because is a practice closely related to my personal and academic background. Loosely inspired by Futurist paroliberismo (words-in-freedom) this kind of pieces are a kind of brainstorming diagram I usually do during my creative process. It is a brainstorming that is not only conceptual, but also plastic and aesthetic and reflects the physical action involved in writting.
This piece is the fourth brainstorming I did for my performance Fragmentos recobrados, on psychological abuse and gender violence (you can see some excerpts on my youtube channel).
This calligraphic piece is composed of 'found phrases': "look, listen and shut up, be beautiful and shut up, be quiet, you cannot complain"
Creative Commons License. Attribution Non-Commercial Share Alike

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Performance ArtCalligraphyIllustrationInkDrawing

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I'm an interdisciplinary artist and researcher devoted to experimental music, performance art, video art and calligraphy.  My artistic work proposes a meeting point between experimental music, performance[...]

I'm an interdisciplinary artist and researcher devoted to experimental music, performance art, video art and calligraphy.  My artistic work proposes a meeting point between experimental music, performance art and video art, which I conceive as tools for exploring contemporary subjectivity, addressing issues such as gender, identity, fragility, eroticism, intimacy and affection.

I work by combining artisan elements, such as weaving and calligraphy, with low-cost digital technologies, such as home camcorders and free software. Through these elements, I propose a dialogue between ideas derived from the humanities and the materiality of artistic practice, trying to reconcile conceptual thinking with the sensoriality of the body.

As an artist and a researcher, I consider the application of humanities knowledge in the artistic creation, as a way to encourage reflection and awareness through aesthetic experience, because I think art is an invitation (or a provocation) to think and ask questions.

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Drawing on Paper | 11.7x16.5 in
Not For Sale
Drawing on Paper | 11.7x16.5 in
Not For Sale
Drawing on Paper | 11.7x16.5 in
Not For Sale
Drawing on Paper | 11.7x16.5 in
Not For Sale

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