Castle (1987) Painting by Plaboixó

Not For Sale

Seller Plaboixó

Certificate of Authenticity included
This artwork appears in 2 collections
  • Original Artwork Painting, Oil on Canvas
  • Dimensions Height 19.3in, Width 19.3in
  • Categories Paintings under $5,000 Abstract
Paisaje urbano con icono ruso sobrevolando, en el momento de su mutación deconstructiva. Originalmente pintado en 1987, y replanteado y finalizado en 2007 About this artwork: Classification, Techniques & Styles
Paisaje urbano con icono ruso sobrevolando, en el momento de su mutación deconstructiva. Originalmente pintado en 1987, y replanteado y finalizado en 2007

Related themes

EdificioArquitecturaIconoDeconstrucciónPaisaje

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THE PURE IDEAS (IP): These are imaginary ideas stirred up in a contemplative state. Pure, because in their essence, they are mental ideas that can be described through words. That can be expressed in spoken[...]

THE PURE IDEAS (IP): These are imaginary ideas stirred up in a contemplative state. Pure, because in their essence, they are mental ideas that can be described through words. That can be expressed in spoken language. Thats why they can be represented in
many ways or forms. Imaginary idea, perhaps a mere joke. But looking for the symbolic intensity. Icon-archetype and its ideal form.

PIONEERING IDEAS: The claim, is that the Pure Idea is a pioneering one, at least, inside of ones self memorialistic museum. But in their generation, they appear everywhere. Inside the “hipothese of the simultneaous evolution” of R. Sheldrake: They are “morphic resonance” of its time.
The Pure ideas are made systematically from the 2nd stage, pointed lower down.

NETWORK: In the idealism of producing more ideas than embodiments,bearing in mind a power saving mode, prevents me from getting to a kind of material
plenitude. Preferring to retain for its emergence in the network, a certain testimonial of moral autorship.

STYLE: Understood as the estilomètric capacity in knowing how to perceive the equality and difference on shapes. On the Web, I include works from the early 80`s. There where the historical avant-garde or dogmatic criticism ends. Where can you say that it begins, the longest isthmus of HYBRID or quotationist appropriationism. The end of innovation for innovation. Beginning of the subtle innovations that last until today.

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