Philippe Alliet
Philippe Alliet is a multidisciplinary artist (painting, drawing, photography, etc.). His work explores abstraction but not only. It is with his tools that he creates rhythmic and random works.
Addressing particularly the themes of abstraction in painting, but also nudes, representations of animals..., his work is distinguished by a new and visionary lighting.
Philippe Alliet was born on February 20 in Granville (France). He has a CNED plastic arts license obtained in Paris I. His works have been presented in numerous personal and collective exhibitions: (Subtle dialogue in Granville in 2021, Salon AEN Bayeux in 2021, "Limpidités" in Rouen in 2013…)
Discover contemporary artworks by Philippe Alliet, browse recent artworks and buy online. Categories: contemporary french artists. Artistic domains: Drawing, Painting. Account type: Artist , member since 2016 (Country of origin France). Buy Philippe Alliet's latest works on Artmajeur: Discover great art by contemporary artist Philippe Alliet. Browse artworks, buy original art or high end prints.
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2 artworks by Philippe Alliet (Selection)
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Biography
Philippe Alliet is a multidisciplinary artist (painting, drawing, photography, etc.). His work explores abstraction but not only. It is with his tools that he creates rhythmic and random works.
Addressing particularly the themes of abstraction in painting, but also nudes, representations of animals..., his work is distinguished by a new and visionary lighting.
Philippe Alliet was born on February 20 in Granville (France). He has a CNED plastic arts license obtained in Paris I. His works have been presented in numerous personal and collective exhibitions: (Subtle dialogue in Granville in 2021, Salon AEN Bayeux in 2021, "Limpidités" in Rouen in 2013…)
- Nationality: FRANCE
- Date of birth : 1956
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
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Expressions sensibles
Église Notre-Dame, Place Notre Dame, 50580 Portbail, France
Ombres et lumières
Galerie du Tertre, Chemin du Tertre, Mont-Dol, France
Participation au salon de la Société Lorientaise des Beaux-Arts
Pour tout vous dire
Salle de la conciergerie du château 50570 Regnéville sur mer
Bleus subtils
Les jardins du Roc 50400 GRANVILLE
EXPOSITION VENTE
Salon international des Artistes en Normandie
Eglise Saint Nicolas, Rue Saint-Nicolas, 14000 Caen, France
Saint Jean des Arts
Saint-Jean-le-Thomas, France
Exposition de peintures abstraites et de grands dessins d'animaux
SALON DE ROUXMESNIL-BOUTEILLES (76)
Salle Corentin Ansquer Rouxmesnil- Bouteilles
Salon de peinture où j'expose 24 toiles et dessins
The soft law of séries
There is no doubt that Claude Monet was the first painter who used the track of series. May it be of haystacks or cathedrals, he used to truthfully report his feelings and emotions through his variations on a theme. Photography quickly became a means of reproducing this manner, since the plain sequence linked to the film roll marvelously fitted this exercise.
Nowadays, no doubt the Internet phenomena has drastically modified our perception of images. The words of “cascade” or “image flow” immediately comes to our mind. We cannot escape from telescoping profusion and overabundance.
I seek to capture the vividness and fragility of existence attached to its abundance, paradoxes, softness or violence by simultaneously creating various series that impose themselves to me… My series certainly don’t have force of law like what we call in French “law of series” (or “Murphy’s law”) that induces that rare and mainly negative events happen to mysteriously attract each other in some kind of synchronicity. There is nothing mysterious and negative in my series but rather a deep and jubilatory exploration of different themes… So, this ”law” – I put the word in quotation marks- does not have the sharpness of the justice of men (Dura lex sed lex, the Roman used to say). It’s a soft law, an inclination, a world : the soft law of series… Dulca lex…
La douce loi des séries
Claude Monet fut sans doute le premier artiste à exploiter la « piste » des séries . Meules de foin ou cathédrales, il trouva dans la déclinaison un compte-rendu fidèle de ses « impressions-émotions ». La photographie fut rapidement capable de relayer cette façon de faire . La simple séquence inhérente à la pellicule s'y prête merveilleusement.
A notre époque, Internet est sans doute le phénomène qui a le plus modifié notre perception des images. Le terme de « cascade », de « flot d'images » vient immédiatement à l' esprit . Difficile d'échapper à la profusion, au télescopage, à la surabondance...
Ma démarche , en associant la réalisation simultanée des diverses séries qui s'imposent à moi cherche à capter le côté vivant, fragile, de l'existence, avec son abondance, ses paradoxes, sa douceur ou sa violence.....