Digital Arts titled "Accord 2 (ex unique)" by Olivier Gilet, Original Artwork, Digital Painting

Accord 2 (ex unique) (2016) Digital Arts by Olivier Gilet

Name: ARTMAJEUR
Brand: ARTMAJEUR
Rating: 4.9 (10201 reviews)

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1031 px
	1500 px

Dimensions of the file (px)	1031x1500
Use worldwide	Yes
Use on multi-support	Yes
Use on any type of media	Yes
Right of reselling	No
Max number of prints	0 (Zero)
Products intended for sale	No

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All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.

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Certificate of Authenticity included

Original Artwork Digital Arts, Digital Painting on Paper

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 27.6in, Width 39.4in
Categories Digital Arts under $1,000 Outsider Art

Dessin digital à partir d'une peinture originale au brou de noix. Il fait partie d'une série commencée vers 2012 autour du thème de l'homme-oiseau, d'où le nom Migrants Drawings donnée à cette série.
La reproduction mise en vente ici et limitée à 1 exemplaire unique N'EST PAS l'oeuvre finale sur toile. Comme toutes les œuvres de cette galerie, l'oeuvre finale unique peut différer fortement de son projet digital. Si vous êtes intéressés par l'oeuvre finale, contactez- moi.
Tirages limités à 1 (un) exemplaire sur papier Beaux-Arts 280gr (qualité d'archivage muséal).
Autres formats et versions disponibles sur demande.

Toutes mes œuvres sont signées et livrées avec certificat d'authenticité.

Print 1 (limited edition of 1) on Fine art paper 280 gr ( Archival museum quality)

About this artwork: Classification, Techniques & Styles

Digital Painting

Technique carried out using digital tools using a computer, a graphic tablet, a stylus and software and reproducing traditional painting techniques, such as watercolor, oil, gouache ...

Outsider Art

Invented by Jean Dubuffet (1901-1985) in 1945, the idea is to create works with primitive graphics that take no academic reference into account. He will also advise to "draw like a child" and encourage self-taught artists.

Technic Digital Arts

Digital art refers to a diverse set of creative categories using the specifics of language and digital devices, computer, interface or network. It has developed as an artistic genre since the early 1960s. As a growing number of digital artists got involved, Digital arts have developed to several distinct sub categories such as: Fractal/Algorithmic Art, Data-Moshing, Dynamic Painting, 2D & 3D Computer Graphics, Pixel Art, Digital Photography, Photo-painting or digital painting.

Related themes

Olivier Gilet Animisme Pagan

Olivier Gilet

France

When I left childhood, I started drawing, rather clumsily. Lines, graffiti, scribbles, in a power struggle with the frenzy of the primary forest in which I had been immersed since my early years, in[...]

When I left childhood, I started drawing, rather clumsily. Lines, graffiti, scribbles, in a power struggle with the frenzy of the primary forest in which I had been immersed since my early years, in Africa. Drawing, piano, always raw and clumsy, while refusing to learn the technique. Even now, I ask myself the question: was it pride, rebellion or a naive desire to remake the world on a blank page?

A world that has too much memory, too much culture, now it becomes cumbersome and oppressive.

Today's art is not often on the side of real life. Luxury objects for a digital society, with an aging hard drive.

Mnemosyne, mother of the muses, is said to have created language and writing. The contemplated landscape needs neither words nor thoughts, and it has its own structure.

Jimmie Durham (Writings and Manifestos): "More and more things are being contested, refused, questioned in art. Which is always good, I think, always exciting, but it throws us into increasing disarray. And the moment we begin to realize that there is an art industry, with millions of artists, at that precise moment, we realize that we have not the slightest idea of what art could be. And we are afraid that it may be nothing at all. It is impossible to imagine what it could be. And we get more and more agitated, and all sorts of good little ideas are added to each other, almost as if, wading in water, we are waiting for a possible collective solution. And I believe that this situation probably stems from the very strong tradition of questioning art that runs through the entire 20th century."