Pivoine en pleine floraison (2020) Sculpture by Nolan Yang

NOLAN YANG brief introduction

The regional culture of Jiangxi has a long history and is rich in culture. Nolan Yang has a strong interest in traditional wood carving. After graduating from University, he engaged in carving (including bamboo carving, wood carving, brick carving and inkstone carving) in his spare time. During the three years of studying wood carving, Nolan Yang met and visited a group of famous sculptors, learned traditional carving techniques, and made a lot of practice on bamboo, wood, stone and inkstone carving. He traveled thousands of miles, read thousands of books, read a large number of famous sculptures, visited famous mountains and rivers, visited places of interest, and visited major museums in China. He learned from nature and learned from nature. He carefully studied the shape, conception, conception and techniques of his predecessors, and devoted himself to studying traditional masterpieces.
2、 Artistic style
Nolan Yang carves his own works according to his own character, cultivation and concept. He is especially against the so-called “unique style” which is deliberately unconventional and artificial. He thinks that natural and harmonious things are beautiful. The task of sculptors is to explore and express this natural and harmonious beauty through their own artistic language. Carving skills, personality, style must be subject to this purpose, but not superior to it. The sculptor has the freedom to choose the technique of expression, but not the right to violate nature and distort nature. In other words, a sculptor must truly take nature as his teacher. Neither hypocrisy nor half heartedness.
Nolan Yang knows the importance of carving skills. With decades of hard work and skills, he found his own artistic expression language. On the basis of traditional woodcarving style, through long-term research and exploration, he has formed a distinctive and personalized artistic language. We can make a simple overview from the original, subtle, artistic conception, extreme, regional characteristics and other aspects.
Originality: striving for the originality of each work is its constant pursuit for many years. The difficulty of creation is greatly increased, and it needs to show good artistic quality. The pursuit of originality is not only the embodiment of the high standard of self demand, but also the only way to show the artistic and deep of carving works.

• Nationality: CHINA
• Date of birth : unknown date
• Artistic domains:
• Groups: Chinese Contemporary Artists