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Rio Pontinello (2017) Painting by Maurice Bellolo
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Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Dimensions of the file (px) | 1108x1500 |
Use worldwide | Yes |
Use on multi-support | Yes |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Oil
on Linen Canvas
- Dimensions Height 23.6in, Width 31.9in
- Framing This artwork is not framed
- Categories Paintings under $20,000 Expressionism
le tableau est à diviser en 4 parties :
1- l'immeuble au fond 2- à droite. 3- à gauche. 4- l'eau
je vais expliquer dans l'ordre
1- l'immeuble au fond
les fenêtres ont une âme, la lumière dans certains endroits et des ombres dans l'autre. Le balcon au fond avec les poutres.
ce ne sont que des mots. Reproduire tout celà dans la réalité.
la curiosité. L'envie de comprendre, d'apprendre et de découvrir.
2- l'immeuble de droite
la difficulté commence. Faire un dessin déjà de cette toile est loin d'être facile. Il faut pas se tromper. les balcons reçoivent la Lumiere mais certains sont plus éclairés que d'autres. Mais un tout petit peu. Il faut traduire ces choses sur la toile. Les teintes sont ressemblantes mais elles ne ressemblent pas tout à fait à l'original.
Revenir sans cesse pour affiner ajuster apporter la touche nécessaire.
3- l'immeuble à gauche
Les fenêtres en bas et en haut, c'est tout simplement de la magie. Les arcades ensuite avec ce dégradé de couleurs. La colonne où on voit les briques oranges, le reste plus bas, de la précision.
4- l'eau
à la base à chaque fois que je finissais une séance de peinture, au lieu de perdre la peinture restante, je préférais la déposer à l'endroit de l'eau. Vers la fin du tableau, j'avais déjà une très bonne base de ce que pourrait être l'eau. Alors je procède à la finition, en apportant ici et là les couleurs légères nécessaires pour apporter la transparence. Le fond sur lequel je m'appuie est solide.
Pour conclure, je prends du recul, je regarde ma toile intensément et je prends conscience de ce qu'il faut ajouter ou retrancher.
je finis, un ouf de soulagement. Je sais qu'il est beau. Mais une toile c'est comme un bon vin. Surtout à l'huile, on dit qu'il faut plusieurs années pour que l'huile se siccative, voir un siècle. Ne pas le vernir de suite. Attendre plusieurs années, le tableau devient plus beau au fur et à mesure que le temps avance. Comme disait un grand artiste, le vernis c'est une affaire de musée.
C'est bon je l'ai vernis avec 2 couches. Mon dosage et mon mélange est un secret.
Il est tout simplement magnifique.
Le vernis très bien fait C'est une affaire de spécialiste. J'en suis fier.
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Biography
I am an self-taught artist. I have been on my artmajeur site since 2014. We are in 2023, I have made all these paintings that I offer to you during my free time and this since January 2014 to date. I am now retired since July 1, 2022. I would like people who see my works and would like to acquire them to contact me by artmajeur, I will answer all their questions, I can send you photos additional. I put a lot of heart and energy to get there. Painting as I do requires many hours of work. These are beautiful canvases, which have been painted in oils with medium respecting the fat on lean, the drying times and varnished several coats. They will hold up over time. the delivery is fast, you will have a certificate of authenticity and if you don't like it, you can return it within 14 days. I hope to see you soon.
- Nationality: FRANCE
- Date of birth : 1957
- Artistic domains:
- Groups: Contemporary French Artists