Bridges of Chinese Venice (2019) Painting by Egorova Maria

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This artwork appears in 5 collections
The bright-red Chinese paper lanterns and bridges can be the most frequent things you may see in Chinese Venice, besides all other its wonders. Plain air oil painting landscape made in one session in Zhouzhuang 周庄镇, China, 2019. The surface was delicately covered with a thin layer of damar artistic varnish to deepen the shadows[...]
The bright-red Chinese paper lanterns and bridges can be the most frequent things you may see in Chinese Venice, besides all other its wonders.
Plain air oil painting landscape made in one session in Zhouzhuang 周庄镇, China, 2019.

The surface was delicately covered with a thin layer of damar artistic varnish to deepen the shadows and image protection. The canvas has mold protection, provided that exhibiting conditions provide an appropriate level of humidity and temperature comparable to home conditions.

The canvas is being sold without framing, leaving this decision to the client, respecting the individual characteristics of each interior, and will be dispatched rolled in an enforced cardboard tube. All necessary papers including the Certificate of Authenticity are added to the parcel.

Related themes

ChinaChineseChinese VeniceOld TownOld City

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        I have passed the classic Russian academic school of painting at Saint-Petersburg Repin’s Academy of Fine Arts, which continues the high traditions of Western European classic art school. I graduated[...]

        I have passed the classic Russian academic school of painting at Saint-Petersburg Repin’s Academy of Fine Arts, which continues the high traditions of Western European classic art school.
I graduated from the monumental workshop under the guidance of the honored artist of the Russian Federation, Sergey Repin, and my diploma project "Meyerhold's Avant-garde Theatre" has been taken by the State Museum of Theodor Meyerhold. I have solo exhibitions and take part in group exhibitions in Russia and China since 2014.  

      The plain air landscape is a big part of the process of my emotional comprehension of a certain place, where an artist can show not only nature itself but the subtle impression of its observer. An impulse and quick solution to an artistic task gives a unique feeling of lightness, therefore, I intentionally have my landscapes done in an impressionistic plain-air way, not in the workshop.

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