© 2020 Marlène Bonnaffé
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Oiseau (2020) Drawing by Marlène Bonnaffé
Ink on Paper, 16.5x11.7 in
$145.47
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Marlène Bonnaffé
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Sold by Marlène Bonnaffé
One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 1 collections
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Original Artwork (One Of A Kind)
Drawing,
Ink
on Paper
- Dimensions Height 16.5in, Width 11.7in
- Framing This artwork is not framed
- Categories Drawings under $500 Figurative Bird
Dessiner, peindre, chercher l'erreur, le défaut, la faute parfaite. Parfois l'inachevé par paresse, s'en est devenu un goût.
Du pot de yaourt aux rochers de Bretagne. J'aime les anciennes encyclopédies sur le monde animal. Je découvre des corps étonnants, rigolos, inattendus. Des traits vibrants, parfois des couleurs[...]
Dessiner, peindre, chercher l'erreur, le défaut, la faute parfaite. Parfois l'inachevé par paresse, s'en est devenu un goût.
Du pot de yaourt aux rochers de Bretagne. J'aime les anciennes encyclopédies sur le monde animal. Je découvre des corps étonnants, rigolos, inattendus. Des traits vibrants, parfois des couleurs vives. Avec un intérêt constant pour l'abstraction dans la figuration. Le goût des formes et des couleurs avant celui de la représentation fidèle et scientifique.
La recherche de nouveaux pinceaux m'a mené à l'utilisation du hérisson, l'outil du ramoneur. Cet objet en métal, avec lequel mon père gagnait sa vie, est devenu mon outil préféré. Il lacère la peinture, créateur de lignes verticales irrégulières. Pure abstraction ou associé à de la figuration, compositions sombres ou colorées, je cherche à diversifier son utilisation.
Du pot de yaourt aux rochers de Bretagne. J'aime les anciennes encyclopédies sur le monde animal. Je découvre des corps étonnants, rigolos, inattendus. Des traits vibrants, parfois des couleurs vives. Avec un intérêt constant pour l'abstraction dans la figuration. Le goût des formes et des couleurs avant celui de la représentation fidèle et scientifique.
La recherche de nouveaux pinceaux m'a mené à l'utilisation du hérisson, l'outil du ramoneur. Cet objet en métal, avec lequel mon père gagnait sa vie, est devenu mon outil préféré. Il lacère la peinture, créateur de lignes verticales irrégulières. Pure abstraction ou associé à de la figuration, compositions sombres ou colorées, je cherche à diversifier son utilisation.
Related themes
Marlène Bonnaffé is a French painter and drawer born in 1993 in the Jura. Since childhood, she has always loved drawing and painting, looking for the error, the flaw, the perfect mistake.[...]
Marlène Bonnaffé is a French painter and drawer born in 1993 in the Jura.
Since childhood, she has always loved drawing and painting, looking for the error, the flaw, the perfect mistake. At the age of 13, she joined an artist's workshop to master new artistic techniques. Reproduction bored her, she quickly tasted the joy of solitude in front of her empty canvases.
After several years of exploring drawing and figurative painting, she recently turned to abstract painting. She chose her brush; bigger, stronger, more rusty: the hedgehog. It was the tool that her father used to earn his living, and it was also the tool that caused him to lose her. His heritage lacerates his canvases, shapes them, animates them, at the same time as it hurts them.
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Nationality:
FRANCE
- Date of birth : 1993
- Artistic domains:
- Groups: Contemporary French Artists
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