Quatre chevaux Painting by Marian Cobos

Sold by Marian Cobos

Certificate of Authenticity included

This artwork appears in 16 collections

Original Artwork Painting, Acrylic / Pastel on Paper

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 5.9in, Width 7.5in
Categories Paintings under $500 Figurative

Quatre différentes techniques pour reproduire l'œil vif du cheval, croisé d'une mèche de sa crinière; Le premier au pastel sur carton gris, le deuxième à l'acrylique sur papier cartonné, le troisième à la sanguine sur papier Canson et le dernier à l'aquarelle également sur papier Canson. J'aime les chevaux je[...]

Quatre différentes techniques pour reproduire l'œil vif du cheval, croisé d'une mèche de sa crinière;
Le premier au pastel sur carton gris, le deuxième à l'acrylique sur papier cartonné, le troisième à la sanguine sur papier Canson et le dernier à l'aquarelle également sur papier Canson.
J'aime les chevaux je les ai souvent peints et sculptés, ceci est un hommage à leur noblesse et à leur beauté.

About this artwork: Classification, Techniques & Styles

Acrylic

Paint using traditional pigments mixed with synthetic resins.

Painting Pastel

Pastel is an instrument widely used in plastic arts. Taking the form of a colored plastic stick, it is composed of pigments, a filler (chalk or plaster) and a binder (gum arabic, oil, wax). We mainly distinguish fatty pastels (oil or wax), dry pastels, whether soft or hard. Invented in Europe at the end of the 15th century, this tool was very quickly used by great portrait painters of French royalty, such as Charles Le Brun, Rosalba Carriera, Jean Siméon Chardin or Maurice Quentin de La Tour, who will be considered the "Prince of pastellists", thanks to a method of fixation of which only he knew the secret.

Pastel

Drawing made with a colored stick. It consists of pigments, a charge and a binder. A distinction is made between dry pastels (soft or hard) and fatty pastels (oil or wax).

Figurative

Figurative and colorful painting having taken the liberty of including all forms of art without border of cultural genre and geographic origin, without hierarchy of values between high and subculture.

Technic Painting

Painting is an art form of painting on a surface by aesthetically applying colored fluids. Painters represent a very personal expression on supports such as paper, rock, canvas, wood, bark, glass, concrete and many other substrates. Work of representation or invention, painting can be naturalistic and figurative, or abstract. It can have narrative, descriptive, symbolic, spiritual, or philosophical content.

Marian Cobos

France

Like all those who love Art, my penchant for beauty created in me the need to express myself in one way or another from a very young age by drawing with everything that came to hand. .
As a teenager I drew with a lead pencil but without ever picking up a brush. It wasn’t until I was 30 that I started painting in oils. As an autodidact, I copied from nature, photos or paintings and this is how I arrived, around ten years later, to discover the earth completely by chance!! Touch the material, model it, create in three dimensions. It was a real revelation: the transition from plan to volume produced no problem for me, I would even say that I discovered the technique which adapted most naturally to my needs for expression.
I attended several courses with sculptors to acquire some basics and since then, when circumstances allow me, I take immense pleasure in modeling, without leaving painting and especially drawing human or animal portraits in pastel. I also made forays into watercolor, which is still very difficult for me to master but whose transparency and spontaneity I love.
In parallel with all this, I had the enormous chance to learn and practice for two years in Seville, the reproduction of ceramic panels painted using Arab-Andalusian and Portuguese techniques, in the workshop of one of the greatest Andalusian ceramists.
I also created murals and decorative painting on glass in imitation stained glass.
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