Sète, la Pointe Courte 4 (2017) Painting by Jean-Noël Le Junter

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Aquarelle de la Pointe Courte réalisée sur le motif sur un papier sans acide pur coton Saunders Waterford grain satiné 300g. Cette aquarelle a servi d'étude pour l'huile de la Pointe Courte visible dans la galerie huiles de Sète. Elle est vendue encadrée( passepartout biseauté de couleur crème, baguette en bois vernie, verre). Dimensions[...]
Aquarelle de la Pointe Courte réalisée sur le motif sur un papier sans acide pur coton Saunders Waterford grain satiné 300g. Cette aquarelle a servi d'étude pour l'huile de la Pointe Courte visible dans la galerie huiles de Sète. Elle est vendue encadrée( passepartout biseauté de couleur crème, baguette en bois vernie, verre).
Dimensions extérieures du passepartout: 30X40. Dimensions intérieures:19.5X29.5

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Related themes

SetePointe CourtePortThauBateaux

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Jean-Noël Le Junter is a contemporary French artist. Following his studies, he spent time in various countries, including Scotland, England, the United States, and Greece.[...]

Jean-Noël Le Junter is a contemporary French artist. Following his studies, he spent time in various countries, including Scotland, England, the United States, and Greece. During his stay in these places, he attended evening classes at renowned institutions such as Beaux-Arts, the Glasgow University Arts Club, and participated in various workshops.

Though he has been engaged in painting since the 1970s, it wasn't until 1995 that he began showcasing his artwork publicly. He officially became a registered professional at the Maison des Artistes on January 1, 2000, and has since been an active member of several national and international art fairs. Furthermore, his work has been featured in approximately fifteen galleries across France.

Jean-Noël Le Junter's preferred artistic themes include the landscapes and harbors of the South of France, nudes, bulls, and the dancers of Sevillanas. His focus lies more on capturing atmospheres rather than reality, aiming to convey his emotions and impressions by synthesizing the essence of the subject. Additionally, he gives precedence to colors in his artistic expression.

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