Lease artwork ""Blue Layers", Tableau Abstrait" by Abstract Painter Vieville with an option to purchase
Paintings by Abstract Painter Vieville are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
Transfiguration occurs with random strokes or a balance of form born of chance and deliberate graphics. Form emerges, colours take their place, graphics are added to the canvas after careful consideration.
Jean-Pierre VIEVILLE, abstract art, is in constant quest of balance. Balance, for the contemporary artist, is the keyword. Chance/deliberation, form/graphics, conformism/anarchy. His innermost wish is not to find that balance, but to maintain the momentum required to achieve it. To find that balance would be to end up imprisoned in a tiresome cliché. Constantly, the artist deliberates between an overload of form and an overload of graphics, too much variety and too much unity, between the desire to break out of the canvas and the need to create a commotion on its surface, hence the perpetual search made through movement, or, in other words, the deliberate momentum. Lines circulate, shades harmonise, precision stabilises and yet the eye does not grow weary. Once stimulated, questing, it finds the answer to its question, an answer supplied by emotion.
Often inspired by nature’s minerality, the artist’s abstract painting come alive and drag the onlooker along paths of which he, himself, is yet unaware.
Nicole Meunier, contemporary abstract painting critic. Translated by Elisabeth Hiscott, New York.
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Nationality:
FRANCE
- Date of birth : 1951
- Artistic domains:
- Groups: Contemporary French Artists
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