Lease artwork "Fierté Des Femmes Africaines" by Pierre Laurent Tichadou with an option to purchase
Paintings by Pierre Laurent Tichadou are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
Pierre Tichadou
12 rue de la Montagne Verte03300 Creuzier le Vieux (France)
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Painting is neither for me a business nor a self-indulgent narcissistic display. It is neither a profession nor a hobby. The creation in the intimacy and the solitude of the workshop is a necessity, sometimes pressing and urgent, often a therapy, a liberation. I alternate ceaselessly between the abstract and figurative periods, dark and coloured tones, to avoid becoming fossilised in a stereotyped production. A prosperous period has to give up its place to another. A picture is at the same time a technique and a testimony. I worked at first oil on a reactive support (enamelled melamine panels) accepting the speed, fluidity, transparency as well as the dullness, the trowel and its pasting, very much as the excesses of medium. The writing is often present and the words, sometimes surrealist, reflect Caribbean Sea blues, alizarin reds, Indian yellows, for moments of eternity, fugacious and soothing. Since 2000, on an indifferent base, I added acrylic (for wider coloured “aplats”), more and more present material (sand, sawdust, plaster, crushed paper) as well as sticking (papers and rags), in a slower, more traditional work, where the persons are anchored in every day life.My universe is the water, the stone, the fire, the blood, it is also the free and alleviated man who nourishes prints of the past to advance step by step, to leave traces, even modest, to those whom he loves. It remains to marry these two contradictory universes but, with the coming of age, one can feed the hope to discover one day the mysteries of the philosopher's stone.
- Nationality: FRANCE
- Date of birth : 1946
- Artistic domains:
- Groups: Contemporary French Artists