Lease Paintings by Antony Squizzato

Lease artwork "Joueur De Billes (Frappé Par La Grâce Di" by Antony Squizzato with an option to purchase

Paintings by Antony Squizzato are available for lease with purchase option

Painting titled "Joueur de billes (f…" by Antony Squizzato, Original Artwork, Oil
Joueur de billes (frappé par la grâce divine)
Painting by Antony Squizzato - 23.6x23.6 in
$1,014.19

Select your monthly installments:

Monthly installments
€87.76
Residual value
€28.43
Tax Savings
€325.19
Total Cost
€844
Monthly installments
€49.73
Residual value
€28.43
Tax Savings
€340.29
Total Cost
€882
Monthly installments
€36.01
Residual value
€28.43
Tax Savings
€369.36
Total Cost
€955
Monthly installments
€28.28
Residual value
€28.43
Tax Savings
€386.75
Total Cost
€999
* This is an indicative simulation only. A contractual proposal will be sent to you after study of your supporting documents and validation of your file by our financial partner.

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Frequently Asked Questions

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

More info

Joueur de billes (frappé par la grâce divine)
Painting by Antony Squizzato - 23.6x23.6 in
Painting titled "Joueur de billes (f…" by Antony Squizzato, Original Artwork, Oil

About the author

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As a teenager, he was passionate about telematics – the good old minitel – and the first computers, and devoted all his energy to building universes of pixels, which he distributed throughout Europe via the[...]

As a teenager, he was passionate about telematics – the good old minitel – and the first computers, and devoted all his energy to building universes of pixels, which he distributed throughout Europe via the ancestor of the Internet. With these first screens, he encountered virgin and fertile ground for his overflowing imagination. He frequents networks of digital artists, programmers and sound designers, who unconsciously lay the foundations of digital art from their bedroom.

He lets go of the mouse for a while when he discovers the world of Paul Klee, but also the art brut of Chaissac or the street art of Speedy Graphito.
Whatever the media, his credo becomes the “Do It Yourself” culture: he learns by experimenting and mutilating collaborations. He is convinced that his creative future will go through hybridization, to circumvent the diktats specific to each discipline.

The call of digital will be the strongest, since at 22 he created a collective called Periscope, trained in typography, 3D, interface design. His collective was transformed in 1999 into a digital creation and advertising agency. Antony multiplies the hats there: illustrator, animator, director, artistic director...
It is formed according to the projects. He studies graphic design, animation, then teaches them in turn to his teams, in schools or universities. 15 years later, Periscope has become a company of 50 people, of which Antony is in charge of the creative direction and manages the creative studio.

At the same time, he develops a personal universe, and his digital or traditional works are exhibited in various festivals in Asia, America or Europe.

In 2013, when digital dominates our world, Antony begins his redemption, convinced of the impasse he perceives in hyper-communication. He feels the loss of meaning, the loss of values ​​of an all-powerful marketing that sets the rules. He has become the best soldier of a system that bothers him. Above all, he feels the urgency of hatching his universe, which he has been sketching out for so many years.

His works demonstrate an abundant imagination, a poetry charged with energy and a unique graphic style. They remain both the refuge and the artist's response to a world taken over by contemporary solitude, the confinement of the individual behind his screen, the overabundance of insipid images, and the difficulty of standing out in a creation more marketed than ever

See more from Antony Squizzato

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