Lease artwork "Femme-Assise.jpg" by Darius Laumenis with an option to purchase
Paintings by Darius Laumenis are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
DARIUS LAUMENIS is a young Lithuanian artist in residence in Marseille.
His work links at the same time, painting (large and small formats), engraving, photography, reportage, sculpture, experimentation and "manipulations and installations".
The weight of the “pictorial tradition” of his country (attachment in particular to
"The icon") will sometimes interfere with his work. As soon as he arrived at the Beaux-Arts, his objective was to escape the “grip” of a certain “academicism” and quickly integrate a more conceptual dimension into his plastic research.
His studies at the School of Fine Arts in Marseille accelerated the learning and assimilation of this conceptual dimension so necessary for the narration and the evolution of his work. The duality, between the abstract and the figurative, the rational and the irrational, remains in spite of everything very marked in Darius' work.
There was no radical break in his research, the icon has changed, it has mutated. It was probably a painful passage, but it was mastered (Darius does not deny his origins). He is aware that these confrontations and these collisions provide him with conceptual material, and that this conflicting relationship between the rational figure and the irrational figure is his source of questioning, the heart of his work and his positioning. And it is on the strength of these experiences, but still heckled by this conflict, that he presents his latest work today.
Large uncompromising paintings, irrational, impulsive, charged with emotion, where form has been refined, where meaning and perception have succeeded the icon, the subject and the scenario. He manages to appeal to our senses and leaves us free in the face of interpretation and appropriation, he delivers us an unexpected, organic, chromatic universe.
These are series that he presents to us in his studio, his large paintings surround us and speak to us and, in these times it seems difficult for painting, it is a real happiness.
- Nationality: FRANCE
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary French Artists