Lease artwork "Underberlin" by Luiz Claudio Rodrigues with an option to purchase
Digital Arts by Luiz Claudio Rodrigues are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
At the age of thirteen, as an apprentice intern, I worked at Forminform Studio - Visual Communication and Industrial Design - owned by Alexandre Wollner, Ruben Martins, Geraldo de Barros and Walter Macedo, owners of the first formal Brazilian design studio where iconic logos were created such as the brand Bozzano, Casa Almeira, Braspérola, and the study of the Willys Overldand logo before it was acquired by Ford Motors. de Propaganda e Marketing de São Paulo), and Enrique Lipszyc's Escola Panamericana de Arte e Design de São Paulo, where I was a student of the renowned and late illustrator Manoel Victor Filho. From then on, I initially worked as a trainee for several advertising agencies in São Paulo: among them: Standart Propaganda, JW Thompson, Almap BBDO, Norton, Lage Daman and Expressão Brasileira de Propaganda, in the areas of creation, graphic design, illustration, writing and graphic engineering with a focus on merchandising.
In the plastic arts, several techniques were used – Crayon and Pastel on Schoeler, Watercolors on Canson and Acrylic on wood. However, today, my greatest interest in the digital medium, in the search for an emancipation that would allow me to expand my plastic experiments, came with image manipulation techniques using computational support; which allowed me to deepen my desire to achieve denaturalization, as it is of the utmost importance in neoplastic art. To denaturalize is to abstract. By abstraction I obtain the pure abstract expression. By denaturalizing I deepen consciously or unconsciously. I understand that it is not enough for the plastic artist of today to think about color: he must be color, eat it and transform it into a canvas. In my view, this is essential, and this was fully possible for me through the digital environments that allowed me to achieve a playful and poetic plastic conception.
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Nationality:
BRAZIL
- Date of birth : 1945
- Artistic domains:
- Groups: Contemporary Brazilian Artists
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