Dali et Gala: les Erotiques (2018) Painting by Karotte

Acrylic on Canvas, 36.6x28.7 in
$9,273.87
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One of a kind
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This artwork appears in 5 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 36.6in, Width 28.7in
  • Framing This artwork is not framed
  • Categories Paintings under $20,000 Surrealism
-"J'astiquais gala pour la faire briller,la rendant la plus heureuse possible, la soignant mieux encore que moi-même, car sans elle tout était fini!" Dali rencontre Gala en 1929, en visite avec son mari Paul Eluard chez le jeune peintre catalan. Gala est la maîtresse officielle de Max Ernst et le triangle amoureux ne se cache pas.[...]
-"J'astiquais gala pour la faire briller,la rendant la plus heureuse possible, la soignant mieux encore que moi-même, car sans elle tout était fini!"
Dali rencontre Gala en 1929, en visite avec son mari Paul Eluard chez le jeune peintre catalan. Gala est la maîtresse officielle de Max Ernst et le triangle amoureux ne se cache pas. Dali est quasi vierge, se qualifiant lui-même de "Grand masturbateur". pourtant entre eux, le coup de foudre est fulgurant et instantané. Gala va l'initier aux plaisirs partagés comme aux pratiques sociales, qui vont faire démarrer sa carrière incroyable et forger sa personnalité de fou savant. dali va faire de gala son unique modèle (quasi), une icône moderne qui va s'envoler vers le mythe vivant.
Leur histoire d'amour se dessine dans une Espagne fasciste, insoutenable de privation, plombée d'amertume, de révolte et de pauvreté. C'est dans ce contexte que s'invente le surréalisme car comment survivre autrement dans ce paysage de ruine ? Dépasser le réel, ritualiser des patterns, des motifs, ancrer la femme, le port, la mer et la mère....pratiquer le glaçis qui gomme la moindre imperfection et qui prend un temps fou..(.je saisis très clairement le procédé de création d'art thérapie avec lequel Dali se soigne et s'auto-encourage, couche après couche) . De son côté, Gala va faire fructifier le génie de son peintre fou grâce à son réseau international. Ils se marieront en 1938 à la mort de Paul (le premier mari). Leur dernière volonté était de partager le même caveau, tout à la gloire de leur amour, érigé au Château de Pùbol en Catalogne et c'est bien là qu'est enterrée Gala le 10 juin 1982. Mais cette même gloire apporte avec elle le Musée Dali en 1974 et ....le tombeau du Maître. Ainsi et conte sa volonté, Dali fut inhumé, embaumée dans le théâtre du Musée Dali le 25 janvier 1989, deux jours après sa mort.L'exhumation a lieu le 20 juillet 2017 pour effectuer un test de paternité pour Pilar Abel, qui prétendait être sa fille. il a fallu quatre heures pour le sortir de sa crypte, puis le transporter au funérarium de Madrid, pour finalement obtenir un test négatif pour la jeune fille. En revanche, le corps de Dali parfaitement embaumé était totalement intact et sa célébrissime toujours à 10h10! Je suis folle de Dali et tout est là, des glaçis aux motifs, du surréalisme jusqu'au tombeau!

Related themes

Culture PopulaireCélébritéDaliGalaPaul Eluard

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I am a baroque character straddling the Belle Époque and the Roaring Twenties, libertarian and cosmopolitan. I am a painter-worker all week. I was cultivated by a mother history teacher who travels a[...]

I am a baroque character straddling the Belle Époque and the Roaring Twenties, libertarian and cosmopolitan. I am a painter-worker all week.

I was cultivated by a mother history teacher who travels a lot and practices archaeological excavations and by a full-time tough surgeon father. I spent a lot of time in the hospital between the block and the morgue while my mother was planting flowers in sarcophagi with Australians. Before I was 15, I had already traveled a lot and I always had somewhere else in mind with its oriental flavor and traditional music. 039;handling with gloves; Audiard, Fellini, Gavras... In 1991 Creation of Hok'n Koh, a production body for short films and documentaries which died out with the No. 1 family in 2002. Two girls born in 92 and 95. At the same time I am a chorister and I write songs for a jazz rock group: La Girafe. I painted my first sets, for groups from the independent pop-rock scene of the 90s, including Mano Négra, the dilapidated mouse, the sales reps. In 99, in Lille, I joined a collective of artists GUERIA, in a dream factory, the LEM, where collective and personal exhibitions take place, I meet Vinsz, who will become my husband in 2005.

In 2002, I spend a year in a caravan with a Roma family on a wild land north of Lille and participates from the inside in daily life. A documentary will come out of it "Citizen Ruiz". Then back to Nancy, as in "The Alchimist", to my mirabelle plum land. Painting finally becomes my daily free expression, the speaking images of my life, the unmade films can operate freely on their own. In 2012 we saw the beginning of the world in the Peruvian jungle after an epic exhibition in Lima. Painting is the Temple of my identity, just as sacred as it is useless, dedicated to my ancestors, to my line of reference artists, to my line of enlightened philosophers and universal scholars, to my victories and my defeats. , my ideas of the moment, with heart and faith, patience and tenacity, rage and love. Painting pulls me, pushes me to study, to read, to concentration. My interest never dwindles because painting is a misunderstood marvel like a coded message, a poetry to be deciphered, a cry to be heard, an unsaid finally enlightened, a psychoanalysis in colors...no painting can be ;is innocent and mine even less.

Since 2021 I have been living with Vinsz, in an old collector's SG45 bus (1977) fitted out by me and to my taste and with all the modern comforts of the 19th century ...

27 years of daily practice now offer me a total and enjoyable emancipation where everything is allowed to mix, plants and colors, policies and perfumes, soaps and mummy powder, tube of paint and detoxifying spray, Independence and anarchy...I have acquired, as they say, "a paw" which makes me identifiable at first glance, as soft as a claw!

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