watermelon (2009) Painting by Jure Kralj

Acrylic on Canvas, 11.8x11.8 in
$605.94
Price: Free Shipping
Sold by Jure Kralj
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 11.8in, Width 11.8in
  • Framing This artwork is not framed
  • Categories Paintings under $1,000 Geometric
Sitting in jazz club, listening a good music and eating watermelon. About this artwork: Classification, Techniques & Styles Acrylic Paint using traditional[...]
Sitting in jazz club, listening a good music and eating watermelon.

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Svet ni črno-bel zato, ... obožujem črno črnilo in bel papir. Ilustracije Jureta Kralja kažejo najrazličnejše izraze.  Uspe mu žonglirati MED resnost ilustracij za odrasle v igrivost otroških ilustracij. Njegovi[...]

Svet ni črno-bel zato, ... obožujem črno črnilo in bel papir.

Ilustracije Jureta Kralja kažejo najrazličnejše izraze. 

Uspe mu žonglirati MED resnost ilustracij za odrasle v igrivost otroških ilustracij.

Njegovi prepoznavni kleni liki otroku pomagajo vstopiti v živ svet zgodb, iger in informativnih besedil. V digitalnih medijih dela toliko kot ročno - večinoma izbira akrilno barvo. Ker ni zvest posebnih barvnih shem, namesto tega se zanjo odločijo glede na temo, uspešno ustvarijo popolno okolje za mlade misli, da raziščejo svojo domišljijo in svet. Z uporabo jasnih barv in močnih obrisov je njegova ilustracija seže do najmlajših, hkrati pa očara tudi starejše otroke, saj je zelo enostavno dojeti v zasebnih okoljih. Temeljito sledi besedilu, ki ga ilustrira, in nekako še vedno najde prostor, da mu doda svoj podpisni smisel za humor. Več podrobnosti vsebuje dovolj materiala za otroke, ki še ne poznajo brati, in še vedno lahko razumete omenjene besede.

Njegove ilustracije za odrasle so manj znane, vendar jih ni treba podcenjevati. Torej enkrat preproste v zapletene. Barvno shemo razbije na osnovno črno-belo in izpusti kršno koli koli koli koli ozadje, tako da se osredotoči na čelno sceno. Ko ilustrira določeno vsebino, jo - tako kot podpira prej omenjeni drugi ilustraciji - pokaže tako, da vizualni elementi besedilo, vendar nikoli ne navedejo, da ni sais qua, ki pritegne bralčevo pozornost. Poetično jemlje vsakodnevne vizualne predmete in jih preoblikuje, tako da opazovalcu prinese določeno težo v melanholijo, za celotno ontološko vprašanje. Njegova pikčasta tehnika nas spominja na igleno delo bodisi na jedkanje bodisi na tetoviranje, zato poudarja, kako gre za ilustracije z roko v roki s stoletnimi umetnostnimi zgodovinami kot s sodobnimi in celo urbanimi pristopi k umetnosti.

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