Sens des mouvements de couleurs. (2018) Painting by Jonathan Pradillon

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Tableaux modernes : Sens des mouvements de couleurs. œuvres réalisées au pinceau à la peinture acrylique (Pébéo-Studio) et au Posca (Uni) sur châssis en bois entoilé en coton (Toile 100% coton grain moyen / Double enduction universelle sans acide). Protection : œuvres vernies à la bombe aérosol satinée. Approximativement[...]
Tableaux modernes : Sens des mouvements de couleurs.

œuvres réalisées au pinceau à la peinture acrylique (Pébéo-Studio) et au Posca (Uni) sur châssis en bois entoilé en coton (Toile 100% coton grain moyen / Double enduction universelle sans acide).

Protection : œuvres vernies à la bombe aérosol satinée.

Approximativement 168 heures de réalisations.

Format : 163 cm x 120 cm x 3.8 cm. (1 cm d’interstice entre chaque)
Diagonale : 202,4 cm.

Poids approximatif : 6 kg.

Dates de réalisations : 03/2018 au 04/2018.

œuvres signées.
Certificats d’authenticités fournis.
Emballages soignés.

Related themes

SensMouvementsCouleursRectoVerso

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Jonathan Pradillon born in 1993 in France is a painter known for his bold use of bright colors and abstract art and also for his colorful and vibrant compositions that capture the imagination of his audience.

Jonathan Pradillon born in 1993 in France is a painter known for his bold use of bright colors and abstract art and also for his colorful and vibrant compositions that capture the imagination of his audience.< /p>

After having completed 4 years of work-study studies in computer graphics and arts and crafts, Jonathan Pradillon preferred to turn to the world of manual art and more precisely to painting.< /p>


Passionate since his early childhood by the mixture and play of colors, shapes and art in general, he also likes to tackle the creation of sculpture on wood, but also modeling and assembling metals to bring out design objects.

Since 2012, he has devoted himself completely to the creation of his works, and this has been professionally declared since the beginning of 2015.

See more from Jonathan Pradillon

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