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17 chevaux au galop (2011) Sculpture by Jean-François Leroy

Sculpture - Bronze, 3.9x3.9 in
$28,838.33
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Seller Jean-François Leroy
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This artwork appears in 5 collections
Travail sur le multiple : la répétition du même animal avec des attitudes différentes qui s'imbriquent et se cumulent, génère une dimension supplémentaire, celle du mouvement lié au temps qui passe. Dans les 17 chevaux au galop, les attitudes se complètent pour suggérer la frénésie d'une cavalcade. Le regard posé sur cette multitude de pattes[...]
Travail sur le multiple : la répétition du même animal avec des attitudes différentes qui s'imbriquent et se cumulent, génère une dimension supplémentaire, celle du mouvement lié au temps qui passe. Dans les 17 chevaux au galop, les attitudes se complètent pour suggérer la frénésie d'une cavalcade. Le regard posé sur cette multitude de pattes et de corps agit comme un stroboscope, à l'instar d'une pellicule de cinéma dont les images qui se succèdent construisent le mouvement.
Prouesse technique, l'oeuvre est coulée d'un seul bloc, l'alimentation de la coulée se faisant par les 68 pattes entre autres. Il n'y a pas de terrasse, cela pour donner de la légèreté et surtout pour mettre en valeur le fourmillement des pattes qui donne cette impression de mouvement.

Related themes

ChevauxBronzeHardeSculptureAnimalier

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Figurative Bronze chevaux bronze harde sculpture animalier
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Jean-François Leroy Portrait
Jean-François Leroy
France
After training as an architect and drawing lessons at the drawing academy in Toulouse,  sculpture appeared as a revelation, the work of a soloist more than that of a conductor...independence and freedom.[...]

After training as an architect and drawing lessons at the drawing academy in Toulouse,  sculpture appeared as a revelation, the work of a soloist more than that of a conductor...independence and freedom.

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“At the origins of my work, nature, in particular animals, is my source of inspiration, inexhaustible and fascinatingly diverse. I am a Figurative but not a Naturalist, which allows me to nuance the details, erase them or accentuate them according to the subject and the material. »

It is essentially from the earth that the sculptures of Jean-François Leroy are born. A bit of straight cutting at times, but time is no match for that. It is therefore most often the clay that is modeled then chiseled, sanded and smoothed according to its hygrometry and the progress of the work. Precarious balance, fragility of matter. When it comes to making a bronze, many technical steps that he masters will follow one another in his workshop. Apart from the casting entrusted to his founder, he makes moulds, waxes, welds, carvings, polishings, patinas.

Designer for the Baccarat and Daum crystal works and the Odiot goldsmith house.

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