Un Toro en or (2019) Painting by Jacqueline Morandini

Pigments on Canvas, 11.8x11.8 in
$1,134.95
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Fine art paper, 8x8 in

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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 3 collections
Création sur toile type 3D Peinture , encre, pigments (all over) plus incrustation motif bois laqué Finition vernis haute brillance Prêt à poser About this artwork: Classification, Techniques & Styles
Création sur toile type 3D Peinture , encre, pigments (all over) plus incrustation motif bois laqué
Finition vernis haute brillance
Prêt à poser

Related themes

CamargueTaureauOr

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Artiste professionnel inscrite à la Maison des Artistes  Membre associé de la Société Nationale des Beaux-Arts (Paris) Sociétaire de la Fondation Taylor (Paris)  Membre de la Société Académique[...]

Artiste professionnel inscrite à la Maison des Artistes 

Membre associé de la Société Nationale des Beaux-Arts (Paris)

Sociétaire de la Fondation Taylor (Paris) 

Membre de la Société Académique Arts Sciences et Lettres de Paris {Médaillée Bronze ,Etain et d'Argent) 

Membre Associé Honoraire  en 2024 de l'Académie "Italia in Arte nel Mondo" 

Après plusieurs années de recherche ethno-picturale, l'artiste a mis au point un nouveau concept artistique du Totem, qui présente en un plan frontal à la cimaise, une grammaire picturale qui fait la synthèse des vues en périphéries . Ses Totems présentent l'aspect "synoptique"(synthèse optique} des autres facettes visibles autour du Totem, ainsi qu'un aspect sémio-synthèse, ou condensé du sens (spirituel, mythologique ... ). où le choix des couleurs va encore accentuer le processus évocateur ( sémiotique codifiée des couleurs).

 L'artiste précise qu'elle a créé "un nouveau langage contemporain pictural qui revisite le signe et l'évocation , le symbole et l'iconographie, il y a dans ma démarche d'abstraction une synthèse de codifications esthétiques issues de polymorphismes, figuratifs ou abstraits , de signes-langages, un langage pictural contenant le retour aux sources fondatrices des hiéroglyphes et des cunéiformes, prenant corps à tous les entendements conventionnels de signes et de sens pour tes transcender artistiquement et s'en servir en de nouveaux messages". Sa palette codifiée participe à la prise de conscience plurielle de notre environnement, de la nature et de l'Homme, de l'avenir de notre civilisation. 

Antoine Antolini Critique d'Art considère que "l'artiste Jacqueline Morandini, par ses peintures ethno-picturales fait avancer indubitablement l'art contemporain d'aujourd'hui, permettant à l'art en France et en Europe de prendre une longueur d'avance en matière de création artistique internationale fondamentale, en pratiquant sur ses toiles, une recherche picturale appliquée, de nature gestaltienne.

Jacqueline Morandini Artiste Peintre a exposé en Europe, Canada, Etats-Unis, Japon, Corée du Sud son parcours artistique est le fruit d'une maturation de plus de 20 ans en arts plastiques

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