La chambre secrète de Chérie. Artefact 1. (2020) Painting by Gerrero

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Seller Gerrero

Fine art paper, 10x8 in

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Art image bank
  • Original Artwork (One Of A Kind) Painting, Oil on Linen Canvas
  • Dimensions Height 39.4in, Width 31.9in
  • Framing This artwork is not framed
  • Categories Paintings under $20,000 Figurative
The Cherie's room is full of secrets. We are not welcomed to visit this sacral place. But sometimes we can get an idea what she hides there. Seems I've caught one artefact -the fragrance of C***O. Such whispering delightful fragrance can never be forgotten. [...]
The Cherie's room is full of secrets. We are not welcomed to visit this sacral place. But sometimes we can get an idea what she hides there. Seems I've caught one artefact -the fragrance of C***O. Such whispering delightful fragrance can never be forgotten.

Related themes

PerfumePortraitRealismRenaissanceWoman

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Born in 1982. Currently living and working in PACA, France. Education 1993-1998[...]

Born in 1982. Currently living and working in PACA, France.

Education

1993-1998 The School of Fine Arts.

2006-2008 The School of Byzantium art.

2013-2015 The Faculty of conservation and restoration of tempera painting.

Since childhood the biggest values for me were harmony and beauty. I remember myself always playing the piano, drawing or admiring nice details of nature. For example - a rainbow effect of gasoline in a dirty puddle seemed so amazing :). 

In my first School of Fine Arts I studied classical paintings and drawings as well as taking the first steps in abstract art.  One of my favorite exercises was suprematism composition. 

Later I worked many years in the field of marketing communications, but I could not stop the endless search for beauty and art. I admired Gothic and Renaissance. Looking for the origins I got into the School of Byzantium art where I found an eternal source of pure inspiration.

Later I deepened my education in this topic at the faculty of conservation and restoration of tempera paintings. I had a great practice in museums with antique icons. 

The monuments of world culture are an endless source of my inspiration. In my work I adhere to the idea of preserving and developing traditions. I deeply respect the entire path of development that art has gone through over many centuries and appreciate the accumulated experience. I like to play with contrasts. Therefore, every time I use old techniques, I dilute them with modern stories and mixed techniques that connect tradition and modernity and help me solve my tasks.

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