"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1104 px | ||
|
1500 px |
| Dimensions of the file (px) | 1104x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on Artmajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
Pouvez vous peindre sur l'écran comme sur le papier ou la toile? J'essaie ...
Dessin et peinture, je l'ai toujours été. En 2008, je me suis consacré à la peinture numérique. Au lieu de crayons et pinceaux mes outils sont maintenant un ordinateur, Corel Painter et Cintiq 24 HD.
Je suis toujours fasciné, et pas seulement comment vous pouvez raisonnablement imiter les techniques traditionnelles avec ces outils, mais aussi les possibilités presque illimitées qui ouvrent ...
Même si je manque l'atmosphère typique de studio avec l'odeur de la térébenthine, il ya une chose que je ne certainement pas manquer: Nettoyer les pinceaux!
Can you paint on the screen as on paper or canvas? I'm trying ...
Pencils, brushes and colors have been part of my life ever since I can remember. In 2008 I dedicated myself to digital painting. Instead of pencil and brushes my tools are now computer, Corel Painter and cintiq 24 HD.
It's amazing, how near you can imitate the traditional art tools. But not only that, you can go far beyond ...
Although I miss the typically artist's workshop atmosphere with the smell of turpentine, there is one thing I most certainly don't miss: Cleaning brushes!
Is that possible to paint on the screen like on paper or canvas? Anyway, I'll try ...
I've always painted and drawn. In 2008 I dedicated myself to digital painting. Instead of a pencil and brush, my tools today are a computer, Corel Painter and cintiq 24 HD.
I am always fascinated, not only how realistically one can imitate traditional techniques with these tools, but also about the almost unlimited possibilities that open up ...
Even if I miss the typical studio atmosphere with the smell of turpentine, there is one thing that I definitely do not miss: cleaning the brush!
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Nationality:
GERMANY
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary German Artists
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