Le temple des gémeaux (2018) Printmaking by Mausnoe Gamian

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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Printmaking, Engraving on Other substrate
  • Dimensions Height 19.7in, Width 19.7in
  • Framing This artwork is not framed
  • Categories Geometric
Le temple des gémeaux est une projection involontaire de l'artiste sur son support. Un miroir projeté, une extraordinaire création. L'oeil gauche de l'artiste était bandé au moment de la réalisation de l'œuvre et on peut observer qu'un bandeau est aussi présent, recouvrant l'œil sur l'autoportrait.
Le temple des gémeaux est une projection involontaire de l'artiste sur son support. Un miroir projeté, une extraordinaire création.

L'oeil gauche de l'artiste était bandé au moment de la réalisation de l'œuvre et on peut observer qu'un bandeau est aussi présent, recouvrant l'œil sur l'autoportrait.

L'artiste a failli perdre la vue de son œil gauche durant ce travail de six mois, près de 2000 gravure en ont été extraits, dont la danseuse de Bali et The Lair notamment.

Un petit clin d'œil à ce qui peut être drôle dans la pratique de la gravure qui, comme pour la peinture, permet des projections qui semblent ne pas avoir plus d'explications que cela dans leurs parutions sur les supports.
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Beginnings in teenage (collages on paper) Spotted in 2017 by a great French Museum Research director: Engravings on support and plate, collages Exhibition in a row at the Musée du[...]

Beginnings in teenage (collages on paper)

Spotted in 2017 by a great French Museum Research director: Engravings on support and plate, collages


Exhibition in a row at the Musée du Quai Branly Jacques Chirac 2018, EVA colloquium (Electronic Visualization and the Arts) First EVA colloquium in France.

Arts and Sciences, specializing in pareidolias and restitution hypotheses, my approach consists in the artistic representation of neural activity.

The supports used, mainly ancient artefacts, are favored for their notion of antique "go-pro".

The artefacts, closest to the human spirit, Kapala, helmets ... remain the preferred tools because of the cavities that make them up. Patina, wear and age are my raw material.

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