Réinterprétation univers de Turner : rotation 120° (2020) Digital Arts by Mausnoe Gamian

Fine art paper, 12x5 in

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  689 px  

1500 px
Dimensions of the file (px) 689x1500
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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Abstract
Inspiré des œuvres de J.M.W Turner, cette série s'emploie à la tentative de transposition de la technique du Maître Anglais vers celle des Arts numériques. Friand de tempêtes et de la guerre des éléments, du feu et de la lumière, des transports ferroviaires et maritimes, Turner a imposé son style légendaire. L'hypothèse[...]
Inspiré des œuvres de J.M.W Turner, cette série s'emploie à la tentative de transposition de la technique du Maître Anglais vers celle des Arts numériques.

Friand de tempêtes et de la guerre des éléments, du feu et de la lumière, des transports ferroviaires et maritimes, Turner a imposé son style légendaire.

L'hypothèse de restitution, non aisée, via l'usage des technologies numériques démontre à quel point la technique du Maître était complexe tant sa personnalité artistique fût exceptionnelle.
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Beginnings in teenage (collages on paper) Spotted in 2017 by a great French Museum Research director: Engravings on support and plate, collages Exhibition in a row at the Musée du[...]

Beginnings in teenage (collages on paper)

Spotted in 2017 by a great French Museum Research director: Engravings on support and plate, collages


Exhibition in a row at the Musée du Quai Branly Jacques Chirac 2018, EVA colloquium (Electronic Visualization and the Arts) First EVA colloquium in France.

Arts and Sciences, specializing in pareidolias and restitution hypotheses, my approach consists in the artistic representation of neural activity.

The supports used, mainly ancient artefacts, are favored for their notion of antique "go-pro".

The artefacts, closest to the human spirit, Kapala, helmets ... remain the preferred tools because of the cavities that make them up. Patina, wear and age are my raw material.

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