Drawing titled "Intérieur 4" by François Crinel, Original Artwork

Intérieur 4 (1985) Drawing by François Crinel

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Brand: ARTMAJEUR
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483 px
	650 px

Dimensions of the file (px)	483x650
Use worldwide	Yes
Use on multi-support	Yes
Use on any type of media	Yes
Right of reselling	No
Max number of prints	0 (Zero)
Products intended for sale	No

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Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 17.7in, Width 27.6in
Categories Drawings under $500

Tressage sur papier. tirage unique About this artwork: Classification, Techniques & Styles Technic Drawing Drawing is[...]

François Crinel

France

Je suis professeur agrégé d' arts plastiques à la retraite maintenant. J'ai découvert la gravure, il y a bien des années, aux Beaux-arts de Grenoble et les parfums (!) d'encre de l'atelier[...]

Je suis professeur agrégé d' arts plastiques à la retraite maintenant. J'ai découvert la gravure, il y a bien des années, aux Beaux-arts de Grenoble et les parfums (!) d'encre de l'atelier où se cachait cette pratique mystérieuse m'ont attiré irrésistiblement. les machines imposantes que sont les presses taille-douce - l'atmosphère feutrée et concentrée de l'atelier ont contribué a cet attrait

La diversité des techniques: l'eau-forte, l' aquatinte, la pointe sèche, la manière noire, les techniques photopolymères contemporaines rendent cette pratique infinie. Le côté aléatoire et expérimental de certaines techniques et les surprises que l'on s'efforce de maitriser permettent de varier les résultats et les découvertes.

J' anime des cours de gravure dans mon atelier à Etoile sur Rhône. J'aime travailler longtemps sur une oeuvre de façon précise et lente.

Le dessin et la gravure en noir et blanc sont mes expressions favorites.