1980 (1980) Printmaking by Emilio Scanavino
Not For Sale
Seller IMMAgalley
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
Artmajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of Artmajeur framed art prints.
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About our fine prints-
Limited Edition (#5/90)
Printmaking,
Screenprinting
on Paper
- Number of copies available 1
- Dimensions Height 19.7in, Width 27.6in
- Framing This artwork is not framed
- Categories Printmaking under $1,000 Abstract
Related themes
Emilio Scanavino, born on October 28, 1922, in Genoa, Italy, was a prominent Italian painter and sculptor known for his significant contributions to the art world during the 20th century. Scanavino's work traversed various artistic movements, including Informalism and Abstract Expressionism, while maintaining a distinctive style marked by emotional intensity and exploration of form.
Scanavino's artistic journey began with formal training at the Accademia Ligustica di Belle Arti in Genoa, where he studied painting and sculpture. Early in his career, he experimented with figurative art before gravitating towards abstraction influenced by the avant-garde movements of the post-war era.
In the 1950s, Scanavino emerged as a leading figure in the European Informalist movement, which sought to break away from traditional forms and explore the expressive potential of texture, gesture, and material. His paintings from this period often featured dynamic brushwork, layered surfaces, and a subdued color palette, reflecting his interest in the spontaneity and emotional depth of abstract expression.
Scanavino's exploration of texture and materiality extended beyond painting to include sculpture. He created sculptures characterized by organic forms and tactile surfaces, often using materials such as clay and bronze to evoke a sense of physicality and presence.
Throughout his career, Scanavino's art evolved with shifts in artistic trends and personal introspection. He was known for his introspective approach to artmaking, exploring themes of identity, existence, and the subconscious. His work captured moments of introspection and emotional vulnerability, inviting viewers to contemplate the complexities of human experience.
In addition to his artistic practice, Scanavino was actively involved in the Italian art scene, participating in numerous exhibitions and receiving critical acclaim both domestically and internationally. His works were showcased in prestigious galleries and museums, solidifying his reputation as a pivotal figure in modern Italian art.
Emilio Scanavino passed away on November 28, 1986, leaving behind a legacy of innovative artwork that continues to inspire and provoke thought. His contributions to abstract art and his commitment to pushing the boundaries of artistic expression ensure his place among the most influential artists of the 20th century, both in Italy and beyond.
- Nationality: ITALY
- Date of birth : unknown date
- Artistic domains: Represented by a Gallery,
- Groups: Contemporary Italian Artists Artists presented by a gallery