Digital Arts titled "Identidad. Manipula…" by Eduardo Yanes Hidalgo, Original Artwork

Identidad. Manipulación digital (2012) Digital Arts by Eduardo Yanes Hidalgo

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282 px
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Original Artwork Digital Arts,

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
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La permanencia del culto a la Virgen de la Caridad del Cobre en las comunidades cubanas de la diáspora es un reflejo de afirmación en la identidad nacional que trasciende el hecho meramente religioso e implica un autorreconocimiento de las raíces y la conciencia de nación por encima de cualquier consideración de otra índole.
Ya en el plano individual, muchos de los cubanos que salen de la isla, de forma temporal o definitiva, llevan consigo una imagen de la Virgen a manera de protección o de identificación con una realidad que sienten íntimamente ligada a la historia personal.
Por otra parte, la Virgen es y continuará siendo un símbolo de la identidad cubana, ya no en su carácter religioso, sino secular, por eso la propuesta parte de un pasaporte ordinario en el cuál los datos personales han sido sustituidos por datos históricos relacionados con el hallazgo y la declaración de la imagen como patrona de Cuba, así como un permiso de salida múltiple que aluda a la extensión y fuerza de su culto más allá de nuestras fronteras.

Eduardo Yanes Hidalgo

Mexico

Eduardo Yanes ( Havana, Cuba, 1973) Eduardo has realized 18 solo shows and participated in more than 70 group projects in Italy, Mexico, Germany, Switzerland, France, Spain, England, Panama, the United[...]

Eduardo Yanes ( Havana, Cuba, 1973)

Eduardo has realized 18 solo shows and participated in more than 70 group projects in Italy, Mexico, Germany, Switzerland, France, Spain, England, Panama, the United States and Cuba. His work has been present in all editions of the Havana Biennial from 2009 , both as collective and/or individual projects, also in the CUBEART Association in Milan, Italy and as part of contemporary art exhibitions traveling through Mexico, France and Spain.
He has talked about his work or contenporary art in Cuba for prestigious universities and art centers in Mexico, Panama, Ecuador and Cuba and his work has been the subject of reference for specialized magazines and books in Cuba and abroad.

Main public collections:

Hood Museum of Art. Dartmouth College in Hanover, New Hampshire. USA/ Museo Metropolitano de Monterrey. Nuevo León. Mexico / Universidad Autónoma de Monterrey. Nuevo León. Mexico/ Proyecto ECOH, Arte Contemporáneo. Mexico City / Headquarters of the humanitarian organization “Pastors for Peace“ New York. USA / Allied Workers University of Jamaica / CUBEART Project, Milan. Italy / CIDA Publishing House. Rome. Italy / Guayasamín Foundation. Quito. Ecuador / Lloyd Rubin Collection. Panama City / Cubanacán Hotel Company. Cuba / National Institute for Standardization Research. Havana. Cuba / Cuban Book Institute / Private collections in Switzerland, Germany, Spain, Italy, England, United Arab Emirates, India, Australia, Dominican Republic, Jamaica, Panama, Mexico, Venezuela, Canada, United States and Cuba.