Rituals (2019) Painting by Anima E Mela

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  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 24in, Width 19.7in
  • Framing This artwork is not framed
  • Categories Outsider Art
Une montagne, une forêt, bien dél. Seul des femmes y habitent, avec quelques enfants. Elles protègent leur communauté sacrée en dansant, en chantant. Entourées de serpents aimants, elles ne craignent rien. Et l'oeil de la déesse veille... A mountain, a forest, well defined. Only women live there, with a few children. They protect[...]
Une montagne, une forêt, bien dél. Seul des femmes y habitent, avec quelques enfants. Elles protègent leur communauté sacrée en dansant, en chantant. Entourées de serpents aimants, elles ne craignent rien. Et l'oeil de la déesse veille...

A mountain, a forest, well defined. Only women live there, with a few children. They protect their sacred community by dancing, singing. Surrounded by loving snakes, they are safe. And the eye of the goddess watches over them....

Related themes

NatureForestForêtFemmesWomen

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I have always had a passion for art, design and natural materials (paper, wood, iron, metals, fabrics). This passion emerges through acrylic paint, because it offers me a rough touch that approaches craftsmanship.[...]

I have always had a passion for art, design and natural materials (paper, wood, iron, metals, fabrics). This passion emerges through acrylic paint, because it offers me a rough touch that approaches craftsmanship. The need for friction, expression of a contradiction which can reveal a beauty invisible to the fleeting glance, reinforces me in the idea that perfection is located in imperfection, knowing that perfection, such as 039;she expresses herself commonly, seems too smooth to me and leaves little room for the imagination. Acrylic paint, sometimes augmented by an insertion of material, provides me with an opposition to 'unnatural' materials. (plastic...). Life is made of ups and downs, and the oppositions that I try to create (e.g. the opposition of gold and plaster, paper or wood) represent precisely these necessary oppositions - there is no shadow without light. Through the gaze that I impose on the viewer, I try to provide them with an opening to unusual associations, things that are a priori hidden, and philosophical and psychological questions; on nature and life.

I-CAC certified artist

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