ADAM regarde EVE (y'a un os) (2018) Sculpture by Jean Claude Causse
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1500 px |
| Dimensions of the file (px) | 1082x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Sculpture,
Metals
on Metal
- Dimensions Height 6.3in, Width 13in / 3.00 kg
- Fit for outdoor? No, This artwork can not be displayed outdoor
- Categories Sculptures under $5,000 Expressionism
Le créateur, une histoire qui le relie à tant d'autres espérants; ou siègerait un Dieu qu'ils espèrent de bonté ...Depuis la nuit des temps, l’homme a cherché le soutien au plus près de lui, pour lui, en lui.Il s’est crée une histoire pour en être le principal acteur et tenir le beau rôle; celui qui le sauvera définitivement du vulguaire de sa vie.
Avant son début, il y avait un autre début, un big bang, démiurge fondateur de l’histoire.Une histoire qui l’a fait homme. A la fin de sa vie il y aura forcément une suite. Une suite qui ne lui appartiendra plus, un paradis imaginaire ou il doit dès aujourd’hui y préparer son espace.Il doit lutter pour s’installer parmi les anges, les démons et les esprits.
Une histoire qu’il doit apprendre et interpréter .Une histoire qui le relie à tant d’autres espérant, ou siègerait un Dieu qu’il imagine de bonté. Justement parce qu’il l’attend. Religiare .
Related themes
Adam Et EveArt ContemporainSculpture MétalIronsculpturArtwork
Arrived on earth inadvertently, he quickly realized that life was a mirror without a tint. The most complicated thing was to choose which side of it he would place himself. He chose to observe what was happening in front of the mirror, instead of looking inside.
The creations of Jean-Claude Causse are nowhere and everywhere; they are as well of yesterday as of tomorrow. It does not matter to him the chapels and other modes. What makes it progress is sculpture and painting; give meaning to shapes and a soul to the material. In some works the combination of the two techniques gives a great contemporaneity despite primitive references.
For others it is a way of expressing disagreement with the myths and other beliefs that govern life today, regurgitation, nonvalues and other chimeras that the present guardians of the temple propose to us!
His pleasure is the same whatever the material he works: earth, resin, wood, stone, metal, because each requires the implementation of a different technique, and this diversity increases the pleasure.
Training at the Beaux Arts in Bordeaux as a free auditor sculpture section during Mr Hugues Morin in the 70s. He learns the earth and the stone.
His work leads us to see only the essential, whatever the theme.
If a stylistic label was essential, then we would call it his "FIGRAIN" style. (Figurative-contemporary)
Among his admirers are Académicien Jean Dormesson who owns the sculpture "See how we dance" inspired by the novel of the same title
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Nationality:
FRANCE
- Date of birth : 1948
- Artistic domains: Works by artists with a certified artist value, Works by professional artists,
- Groups: Certified Artists Professional Artist Contemporary French Artists
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