Dernier Éden / Cité de Carcassonne (2019) Digital Arts by Bruno Béghin

Digital Arts, 23.6x23.6 in
$397.03
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La planète bleue à viré au gris, asphyxiée par trop de fumées, trop de béton, de murs toujours trop hauts. Aussi, dans un sursaut décisif, la Cité de Carcassonne, mise d’urgence sous serre, offre-t-elle un dernier Jardin d’Éden. Alliés, univers végétal et monde animal recréent la spirale, mouvement primordial de la vie, qu’elle soit constellation ou[...]
La planète bleue à viré au gris, asphyxiée par trop de fumées, trop de béton, de murs toujours trop hauts. Aussi, dans un sursaut décisif, la Cité de Carcassonne, mise d’urgence sous serre, offre-t-elle un dernier Jardin d’Éden. Alliés, univers végétal et monde animal recréent la spirale, mouvement primordial de la vie, qu’elle soit constellation ou atome, générant temps et espace, ni tout à fait les mêmes ni tout à fait autres, et en s’élargissant sans cesse jusqu’à faire tomber les murs pour ouvrir à nouveau un avenir. Alors, est-ce l’ultime jardin d’hiver de la planète ou le printemps pourrait-il revenir ?

Last Eden
The blue planet has turned grey, asphyxiated by too much smoke, too much concrete, and walls ever too high … and so, spurred into decisive action, placed in extremis in a greenhouse, the City of Carcassonne offers a last Garden of Eden.
The plant universe and the animal world ally to re-create the spiral, the vital movement of life, whether it be constellation or atom, generating time and space, neither completely the same nor entirely different, and ceaselessly extending until it topples the walls to open the
perspective of a new future.
So is this the planet’s last winter garden, or could the spring return?

El ùltimo jardin de Eden
El planeta azul se volvió gris, asfixiado por demasiados humos, por demasiado hormigón, por paredes cada vez màs altas.
Así, en un sobresalto decisivo, la Ciudad Medieval, puesta con urgencia en invernadero, ofrece un último Jardín del Edén.
Se han aliado el universo vegetal y mundo animal para crear de nuevo la espiral, movimiento primordial de la vida, ya sea constelación o átomo, generando tiempo y espacio, no son ni exactamente los mismos que antes, pero tampoco son otros de lo que eran, y expandiéndose sin cesar hasta derribar los muros para abrir de nuevo un futuro.
Entonces ¿es el último jardín de invierno del planeta o podría volver la primavera?

Texte : Béatrix Mirallès.

Related themes

Cité De CarcassonneEdenPont VivantOrang-OutanSerre

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Bruno Béghin is a French designer born in 1958. Creator of a prestigious communication studio and author of advertising campaigns for famous brands, he has never left his beautiful hometown: Carcassonne.  In[...]

Bruno Béghin is a French designer born in 1958. Creator of a prestigious communication studio and author of advertising campaigns for famous brands, he has never left his beautiful hometown: Carcassonne. 

In addition to his professional activity, Bruno Béghin has two passions: photomontage and the enhancement of Carcassonne. He invites us on a dreamlike journey through this city, transforming the streets into unexpected poetic paintings. Mythological or current, historical, ecological themes are staged, arousing surrealist and visionary aesthetic emotions: Jérôme Bosch, Joachim Patinier, Gustave Moreau, Jean-Marie Poumeyrol, Roland Cat, Claude Verlinde or the romantic Caspar David Friedrich are evoked in the disorder... 

Then, the City becomes in turn apocalyptic, transient or burned fortress, port citadel, sunken castle, megalopolis or open-air mine, nuclear base, tagged walls or Greek temple, Noah's ark or Garden of Delights...

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