NU VERT (2018) Printmaking by Brigitte Tabellion Neuve-Eglise (enerenroad)

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d'après un dessin original de l'artiste femme nue de dos allongée 2 passages de couleur sur papier Arches 100% coton taille de l'image 10x19 cm inspiration art antique Chaque estampe est réalisée à la main par procédé artisanal de linogravure (gravure sur plaque de linoléum). Ce procédé implique[...]
d'après un dessin original de l'artiste
femme nue de dos allongée
2 passages de couleur
sur papier Arches 100% coton
taille de l'image 10x19 cm
inspiration art antique
Chaque estampe est réalisée à la main par procédé artisanal de linogravure (gravure sur plaque de linoléum). Ce procédé implique inévitablement de légères variations entre chaque tirage, ce qui le rend unique. Les dessins sont tous imaginés et réalisés par les soins de l'artiste au gré de ses inspirations. Les gravures sont datées, signées et numérotées sur le devant.

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Brigitte Tabellion followed the Beaux-Arts course in Nancy, her parents having encouraged her to study midwifery, she worked for 2 years in Paris. Then she spent 10 years in Africa and gave drawing and painting[...]

Brigitte Tabellion followed the Beaux-Arts course in Nancy, her parents having encouraged her to study midwifery, she worked for 2 years in Paris. Then she spent 10 years in Africa and gave drawing and painting lessons. Back in Paris, she practiced her profession as a midwife in parallel with artistic activities and workshop training for 20 years. Retired, based in Brittany 6 months a year, she devoted herself to creation. Travel continues to be an inexhaustible source of inspiration: snapshots of Africa, India, Asia, his themes are as much focused on nature as on metropolises. Architecture and town planning, scenes charged with the history and memory of places. His current choices of expression are engraving, pastels, watercolors, and oil. Constantly seeking to improve her technique, she surrounds herself with experienced painters. Each creative process goes through an exploration of the composition of balance and harmony which will determine the emphasis of the subject and what will be the appropriate support to translate the emotion. The research work seems to him as important, if not more so, than the creation stage. "if the balance is in the head, then the hand only has to follow"

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