les graffiti des Baumettes # 20 (no sale) (2018) Photography by Bernard Levy

Not For Sale

Sold by Bernard Levy

  • Original Artwork Photography, Digital Photography
  • Dimensions Dimensions are available on request
  • Categories Expressionism
Le corps féminin nu est souvent représenté en prison. Pages de revues, affiches, photos sont les plus nombreuses. on retrouve aussi dessins et peintures qui procèdent d'une démarche artistique sur les murs et les portes. Dans ce cas, on relèvera, quel que soit l'état de la cellule, un nombre moins important d'inscriptions manuscrites[...]
Le corps féminin nu est souvent représenté en prison. Pages de revues, affiches, photos sont les plus nombreuses. on retrouve aussi dessins et peintures qui procèdent d'une démarche artistique sur les murs et les portes. Dans ce cas, on relèvera, quel que soit l'état de la cellule, un nombre moins important d'inscriptions manuscrites ou de tags à proximité, et les dessinateurs sont généralement respectés lorsque le talent est reconnu.
On ne recouvre pas en prison les graffs des auteurs, à la différence des graffs de rue. Sans doute parce que l'esprit de concurrence ne joue pas et surtout parce que le graffiti de prison est provoqué par les circonstances de l'incarcération..

Related themes

BaumettesPrisonCelluleGraffitiFemme

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Bernard Levy is an artist photographer whose photographic career has been built up in small successive touches, according to adventures and personal experiences. This initiatory approach developed at the end[...]

Bernard Levy is an artist photographer whose photographic career has been built up in small successive touches, according to adventures and personal experiences. This initiatory approach developed at the end of adolescence is still continuing...

First in film and black and white. Then the color will be invited to restore a complex and plural universe, both real and dreamlike.

This walker lost in his universe likes to roam, stroll, dream, "wander" over time which unfolds to capture the furtive and fugitive moments but also the vibrations of this changing world. He discovers them in the agitation of the urban space and crowds, in rediscovered silence, calm or fragments of solitude. Sometimes in disused sites, destined to be abandoned and forgotten. Then, a handover through images restores their identity visual.

This wandering around the memory of the place raises questions. The author reveals characters and territories to explore, sensitive surfaces sometimes scratched, sometimes transgressive. It invites the visitor to extend the reflection and the story, to seize them, to appropriate them and thus participate in a process of construction and deconstruction of their imagination.

This narrative and visual universe captured on the fly and in the urgency of the fleeting moment is developed around the photographic essay. He draws his inspiration from humanist photography and street photography. And it is willingly offered for a sharing of emotions.

Bernard Levy lives and works in Marseille (France). He participated in many exhibitions mainly in Provence. His book “So Selfie! crossed views” was published in 2021.

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