Paysage imaginaire miniature n°2 (2019) Painting by Bernard Des Roseaux

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  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions 11.4x15 in
    Dimensions of the work alone, without framing: Height 5.1in, Width 5.1in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Categories Paintings under $500 Expressionism Landscape
Peinture à l'huile sur toile de lin. Cette toile a été préalablement structurée par un apprêt adéquat (13 x 13 cm). Ce tableau représente un ciel de tempête en hiver, les nuages blancs occupant presque les deux tiers supérieurs, une trouée dans l'angle à gauche laisse apparaitre du bleu partiellement masqué par des nuées orangées. l'arrière[...]
Peinture à l'huile sur toile de lin. Cette toile a été préalablement structurée par un apprêt adéquat (13 x 13 cm). Ce tableau représente un ciel de tempête en hiver, les nuages blancs occupant presque les deux tiers supérieurs, une trouée dans l'angle à gauche laisse apparaitre du bleu partiellement masqué par des nuées orangées. l'arrière plan se compose d'une rangée d'arbres sombres aux reflets bleutés, et en premier plan on trouve une rangée d'arbustes dans les tons chauds verts et rouges, avec liseré supérieur blanc.
Encadrement: la toile est présentée sur médium rigide rectangulaire (29 x 38 cm) avec une Marie Louise en contrecollé blanc crème. Elle est facile à enlever pour la présenter différemment, voire la tendre sur châssis.

Related themes

ArtistePeintureTableauLumièrePaysage Abstrait

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He attended the Académie Henri Goetz in Paris in the 1970s, then the Beaux-Arts de Saint Brieuc. He works in a variety of techniques: drawing, dry pastels, oil, acrylic, watercolour, inks, collage...,[...]

He attended the Académie Henri Goetz in Paris in the 1970s, then the Beaux-Arts de Saint Brieuc.

He works in a variety of techniques: drawing, dry pastels, oil, acrylic, watercolour, inks, collage..., and sometimes associates them with each other (mixed techniques).

He painted many figurative themes, sometimes close to hyper realism (in particular portraits and scenes of life in dry pastel) . He is now evolving towards a much freer painting, with very eclectic themes, sometimes reaching the limits of the abstract.

Indeed, the subjects ultimately have little importance, even if he favors in particular the portraits, life scenes, increasingly imaginary landscapes.

He often works in series, with a given medium. This allows him to give free rein to his intuition more easily, because it prevents him from working too long each time on the same painting, and bouncing from one to the other.

He tends more and more to let the painting build itself, letting the composition establish itself as the work continues.

Registered at the Maison des Artistes in Paris (D155301), he presented about fifty personal or collective exhibitions in France.

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