Argo(S) - photographie numérotée&signée (2013) Photography by Baptiste Vanweydeveldt

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Artwork signed by the artist
Certificate of Authenticity included
This artwork is framed
Mounted on Wood Panel
This artwork appears in 1 collections
Argo(S) est une reprographie de l'installation "Ce qui est derrière la lumière" sous sa troisième version. Invité pour une carte blanche lors du festival Normandie Impressionniste 2013 sur la thématique de l'eau, c'est l'association 2Angles m'ouvre leurs portes durant l'été... Sur cette photographie[...]
Argo(S) est une reprographie de l'installation "Ce qui est derrière la lumière" sous sa troisième version. Invité pour une carte blanche lors du festival Normandie Impressionniste 2013 sur la thématique de l'eau, c'est l'association 2Angles m'ouvre leurs portes durant l'été...

Sur cette photographie au cadre élargie qui laissent apparaître les spots de lumières, dévoilent volontairement qui participe d'une esthétique du bricolage, oú les modules de l'installation sont reagencés et augmentés d'éléments nouveaux tel que la voile de cravate, 250 cravates cousues à la main pour fabriquer une voile...

Argo(S) fait écho au navire d'Argo et à la la constellation qui porte le même nom, bien que l'allusion exacte aurait dû être "Thésée" qui transforme son navire tout au long de son périple, comme l'installation qui se modifie selon la thématique abordée...

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BaptistevwartBaptiste VanweydeveldtArt ContemporainBateau À VoilePhotographie Numérique

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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