triptyque augmenté de l'abécédaire russe (2004) Drawing by Baptiste Vanweydeveldt

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Sold by Baptiste Vanweydeveldt

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This artwork appears in 3 collections
  • Original Artwork Drawing, Ballpoint pen / Other / Digital Photography / Graphite
  • Dimensions Height 12.6in, Width 26.4in
  • Categories Drawings under $1,000 Outsider Art
regroupement des feuillets "N", "L" et "M" avec accolement de trois photographies issues des deux voyages (à NYC et Russie) dont sont issue ces feuillets. Dessins automatiques, abstraits ou déjouant la logique du beau académique. L'enjeu ici est de constituer un abécadaire (une feuille=une lettre) qui révèle[...]
regroupement des feuillets "N", "L" et "M" avec accolement de trois photographies issues des deux voyages (à NYC et Russie) dont sont issue ces feuillets.
Dessins automatiques, abstraits ou déjouant la logique du beau académique. L'enjeu ici est de constituer un abécadaire (une feuille=une lettre) qui révèle un ressentis intérieur plutôt qu'une représentation du paysage extérieur... Déjoué le dessin académique par d'autres formes de traces (gribouillis, plans, notes, taches...) tout ce qui est sous la main au moment où le ressentis demande à s'exprimer.
C'est la part belle d'une liberté totale, le point zéro de la technique mais le début d'une exploration mentale intense dans un environnement urbain et en mouvement...
Baptiste Vaneydeveldt,2019

Related themes

Baptiste VanweydeveldtBaptistevwartAbécedaire RusseTriptyqueDessin Contemporain

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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