Drawing titled "LeND" by Baptiste Vanweydeveldt, Original Artwork, Digital Photography

LeND (2017) Drawing by Baptiste Vanweydeveldt

Not For Sale

Sold by Baptiste Vanweydeveldt

Certificate of Authenticity included

This artwork appears in 3 collections

Original Artwork Drawing, Digital Photography / Graphite on Paper

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 11.6in, Width 14in
Categories Drawings under $500 Outsider Art

A partir de la photo originelle de l'installation LeND, montée et présentée en cercle privé à la galerie Hypertopie à Caen, avant sa monstration officiel à l'exposition DGM5.1#Domus à la PPGdM à Roubaix en 2012.
Ce report d'image est l'un des premiers exercices du genre pour l'artiste. Il présente la rencontre fortuite d'une tête de lit et d'une table de ping-pong découpée puis séparée en plusieurs éléments tel la Pangée... Objet liminal quasi surréaliste qui semble être l'allégorie de la "Fin d'un territoire" et l'installation subira plusieurs transformations sur une dizaine d'années...

Subtilement rehaussé au graphite des 4 diagrammes, chères à la réflexion de Baptiste Vanweydeveldt, sur les cheminement de la création: Le système R.I.S emprunter à Lacan, La corolle sémiotique et le schéma du DOMUS...

Encadré sur un fond beige qui renforce la tonalité émeraude et cadre en bois d'ayous 29.5x35.5cm avec un verre anti-reflet...
Il est vraiment l'une des œuvres COLLECTOR de l'artiste n'est pas proposé en vente directe où alors c'est vraiment parce que vous insistez!!

About this artwork: Classification, Techniques & Styles

Digital Photography

Techniques for obtaining a photograph by using an electronic sensor as a photosensitive surface, then printing it on paper.

Graphite

Black and white drawing made with a pencil, an instrument made of a small wooden stick used as a sheath for a graphite mine of the same length.

Outsider Art

Invented by Jean Dubuffet (1901-1985) in 1945, the idea is to create works with primitive graphics that take no academic reference into account. He will also advise to "draw like a child" and encourage self-taught artists.

Technic Drawing

Drawing is a technique of visual representation on a flat support. The term "drawing" designates both the action of drawing, the resulting graphic work, and the shape of any object. It is also a representation on a surface of the shape (and possibly the light and shadow values) of an object or figure, rather than their color. There are a large number of drawing techniques: “Linear drawing” represents objects by their outlines, edges and some characteristic lines; beyond this limit, the drawing develops by representing the volume by shadows, often by means of hatching, incorporates colors, and joins, without clear transition, the painting.

Baptiste Vanweydeveldt

France

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.