"G" abécédaire russe-2001-2004 (2004) Drawing by Baptiste Vanweydeveldt

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Seller Baptiste Vanweydeveldt

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  1068 px  

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Dimensions of the file (px) 1068x1500
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This artwork appears in 5 collections
Septième feuillet de cet abécédaire, accroche à l'autre, rendre compte de la différence, élargir le seuil de tolérance, s'a-corp-der... Ne rien attendre, ne rien espérer, re-garder ... Mettre de l'autre chez soi... Il faut parfois casser un œuf pour comprendre qu'il il y a du blanc, du jaune... Ap-prendre à penser/panser,[...]
Septième feuillet de cet abécédaire, accroche à l'autre, rendre compte de la différence, élargir le seuil de tolérance, s'a-corp-der...
Ne rien attendre, ne rien espérer, re-garder ... Mettre de l'autre chez soi...
Il faut parfois casser un œuf pour comprendre qu'il il y a du blanc, du jaune... Ap-prendre à penser/panser, oser POURQUOI PAS?
Faire un trou, ne plus avoir peur, la Beauté peut-être monstrueuse...
Baptiste vanweydeveldt.2019

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Baptiste VanweydeveldtBaptistevwBaptistevwartArt ContemporainDessin Contemporain

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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