Amida-55x46 (2005) Painting by Baptiste Vanweydeveldt

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Sold by Baptiste Vanweydeveldt

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Sold by Baptiste Vanweydeveldt

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This artwork appears in 2 collections
  • Original Artwork Painting, Acrylic
  • Dimensions Height 21.7in, Width 18.1in
  • Categories Paintings under $1,000 Outsider Art
Cette peinture est un geste de méditation, Brossée en quelques gestes sur une structure préétablie (que l'on retrouve sur d'autre...) depuis un geste noir sur le fond de la toile blanche , les successions de couche de couleur s'éclaircisse (bleu, gris, rouge,orange...) puis cette inscription "AMIDA" qui vient de "AMIDA[...]
Cette peinture est un geste de méditation, Brossée en quelques gestes sur une structure préétablie (que l'on retrouve sur d'autre...) depuis un geste noir sur le fond de la toile blanche , les successions de couche de couleur s'éclaircisse (bleu, gris, rouge,orange...)
puis cette inscription "AMIDA" qui vient de "AMIDA ZEN" , concept du silence , de la compréhension (prendre avec) pour "être" sans intention (sous tension), relâcher...
Advient par dessus un collage , une feuille d'écriture pour rappeler le temps de l'apprentissage et une croix en adhesif, pour évoquer le pansement, la réparation , la protection...

Proche de l'Arte Povera , comme Tapiès ou à l'image de la méthode de Motherwell, ou Bram Van Velde, je construit une [image-magie] avec ce qui m’entoure dans l'instant en investissant chaque geste à mon sens symbolique...

C'est la recherche d'un image mentale, la même image qui m'échappe lorsque j'éveille le geste de peindre.

C'est la recherche d'une image indicissible qui est mouvement.

Related themes

Baptiste VanweydeveldtBaptiste.vwPeinture AcriliqueAmida ZenAmitābha

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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