L'ADORATION DES BERGERS de Proccacini (1980) Painting by Ma

Gouache on Paper, 26x18.1 in
$145,347.91
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Wood Stretcher frame
This artwork appears in 9 collections
  • Original Artwork (One Of A Kind) Painting, Gouache on Paper
  • Dimensions 32.3x24 in
    Dimensions of the work alone, without framing: Height 26in, Width 18.1in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is framed
  • Categories Paintings from $20,000 Figurative
THE ADORATION OF THE SHEPHERDS by Proccacini This 15th century work painted by the Italian painter Proccacini is one of the twelve best paintings painted on the subject. This huge canvas, reproduced in a much smaller format, is currently in the Vatican above the "throne" where the Pope sits. This painting is painted in gouache on 250 g Canson[...]
THE ADORATION OF THE SHEPHERDS by Proccacini This 15th century work painted by the Italian painter Proccacini is one of the twelve best paintings painted on the subject. This huge canvas, reproduced in a much smaller format, is currently in the Vatican above the "throne" where the Pope sits. This painting is painted in gouache on 250 g Canson paper. It is protected by a thin, high-quality varnish that is virtually insensitive to sunlight. This reproduction is framed in the old fashioned way with an 8 cm wooden frame, gilded with fine gold added with a 2 cm black velvet passe-partout topped with a golden border. Two years of work were necessary for the artist to create this miniature reproduction (66x46)

Related themes

Rois MagesLes BergersJesus

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DEMARCHE ARTISTIQUE  Le permanent et séculaire duel entre figuratif et abstrait, n’aura jamais de vainqueur absolu.  L’Art et la création seraient, lorsque semblent la Politique, la Science et la[...]

DEMARCHE ARTISTIQUE

 Le permanent et séculaire duel entre figuratif et abstrait, n’aura jamais de vainqueur absolu.

 L’Art et la création seraient, lorsque semblent la Politique, la Science et la Philosophie, selon J. NITSCHE, avoir échoué,  le dernier refuge des motivations fondamentales de l’Artiste,

Voyage onirique, où l’abstrait s’encanaille avec des paysages qui se fondent dans des brumes qui laissent le Spectateur décider lui même du chemin philosophique ou spirituel qui va l’emmener vers un voyage Fantastique où son âme retrouvera peu à peu sérénité, apaisement et satisfaction.

 Peinture à l’huile, au couteau, plastique et lumineuse, qui aborde les transparences d’un univers tantôt imaginaire et mystique, tantôt onirique et joyeux.

Du grand Chaos originel, la Création abstractive trouvera dans l’organisation des motifs et des couleurs , une opportunité de réconciliation avec la puissante Mère Nature.

   Maurice AZRA

  Peintre de l’Imaginaire

  Peintre de la Rue

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