Painting titled "Arbres jaunes au pr…" by Jon Von, Original Artwork, Oil

Arbres jaunes au premier plan (1962) Painting by Jon Von

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Original

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Seller Artmajeur

Certificate of Authenticity included

Original Artwork Painting, Oil on Canvas

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 24in, Width 16.5in
Categories Paintings under $5,000 Abstract

Signée et datée en bas à droite Vimenet 62, cette toile fait partie d'une série remarquable sur la végétation de Cachan, ville de la banlieue sud de Paris où s'est installé l'artiste à la fin 1961. Il vit en location dans une partie d'un ancien hôtel particulier ayant appartenu au maréchal Victor. La fenêtre de sa pièce-atelier[...]

Jon Von

France

Student at the École des Beaux-Arts in Tours (1st Prix Conté des Beaux-Arts de France) then at the École des Beaux-Arts in Paris from 1931 to 1934. Under the protection of Édouard Vuillard from 1934 to 1939, for whom he carried out the transfer to tiles of the fresco commissioned from the master by the League of Nations in 1938, "Peace protecting the Muses". Trip to the United States in 1947-1948. Abd-el-Tif Prize for painting (1952-1954) which led to a two-year stay in Algeria (a catalogue raisonné on this period, published at the end of 2014, lists more than 300 works). Close to the sculptor Jean Carton, he also frequented Chaïm Soutine or Fernand Léger and became friends with the Parisian bohemian movement (Prévert brothers, Django Reinhardt, Henri Crolla, Maurice Baquet, Alexandre Trauner, Paul Grimault). Human demands and artistic intransigence were the two principles that guided him in his development, of which the Algerian period confirmed his independent nature. This asserted itself in the most productive period (1952-1985), when research into light and movement took precedence, making him alternate between figurative and abstract approaches. He exhibited with well-known artists (from Picasso to Lapoujade or Lapicque). The compositions diffract or reorder themselves according to a mysterious abscissa, generating warm chromatic tones, as the poet Maurice Fombeure noted. The subjects retain, through their intimacy, the trace of the Nabis heritage. Retired in Touraine in 1981, his work tends to evolve towards a certain art brut (pebbles, stones, shells, wood, altered or modified bones). Pictorial, graphic, free sculptural work, it renews the classical codes. It appears in several museums (Centre Georges-Pompidou, Museum of Fine Arts of Algiers, Museum of Fine Arts of Tours, Museum of Art and History of Narbonne, Museum of Royan, Museum of Comics of Angoulême).