Percezione e Intenzione (2019) Drawing by Albert Gadomski

Graphite on Paper, 14x11 in
$877.18
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Quest’opera cerca di rappresentare ciò a cui si arriva quando si vuole indagare quale sia l'origine di una percezione. È chiaro che non si può ridurre tutto allo stimolo sensoriale che arriva dai nostri organi come la vista per esempio. La vista è particolare mentre le nostre percezioni sono generali. Noi vediamo un frammento di[...]
Quest’opera cerca di rappresentare ciò a cui si arriva quando si vuole indagare quale sia l'origine di una percezione. È chiaro che non si può ridurre tutto allo stimolo sensoriale che arriva dai nostri organi come la vista per esempio. La vista è particolare mentre le
nostre percezioni sono generali. Noi vediamo un
frammento di rosa per volta, ma ciò che percepiamo è la rosa nella sua interezza. È l'esperienza - ovvero l'assimilazione, l'essersi nutriti delle percezioni passate – che ci permette di etichettare gli stimoli sensoriali che ci raggiungono. Ri-conoscere, identificare si riduce velocemente ad un intendere. Un'intenzione che forse arriva addirittura prima del resto come vorrebbero dimostrare tutti i casi in cui
letteralmente “vediamo una cosa per un'altra"
Quanto quindi l'intenzione sia rilevante nel risultato della percezione (in quello che noi vediamo per esempio) e in che momento essa intervenga rimane indeterminato creando quindi questo circolo di cui non è possibile stabilire il principio.
E ciò ci permette di chiederci fino a che punto
disegnamo noi stessi il mondo in cui viviamo.

Related themes

FilosofiaNeuroscienzeIperrealismoArte ConcettualeSurrealismo

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Commissions, oil paintings, porcelain, ceramics all unique pieces hand crafted, personalized gifts. Despite having a scientific/philosophical background, art in various forms has always been a necessary[...]

Commissions, oil paintings, porcelain, ceramics all unique pieces hand crafted, personalized gifts.

Despite having a scientific/philosophical background, art in various forms has always been a necessary expressive valve in my life . First the theater then the guitar. Then, over time, the sketches and doodles that I have always done in my downtime have become a serious and rigorous commitment that now constitutes my main emotional and restorative outlet.

Mediating between Philosophy, Science and current affairs I try to express and know my interior which represents the first step towards knowledge (expression) of the external world and the absolute.
Dynamism, precision and realism are the tools I use to represent something that does not can be photographed even if it would like to appear as such. The absurd, the conflict between multiple feelings that coexist in the same individual and the grotesque are components that I try not to miss in my works.

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